Casino Film 1995 Moviepilot.de

In the movie Casino, I always felt bad for Sharon Stone until I became Sharon Stone.

I was never a drug user or pill popper, but toward the end of the movie where she is slowly spiraling and constantly drunk in bed during the day after a bender, sobbing, while Robert Deniro tries to console her. I've had a few times like that the last few months. Reason, 143,687 to stop drinking. Today is my day 2 of choosing sobriety. It has to work sometime.
submitted by youboozeyoulose30 to stopdrinking [link] [comments]

If you've seen the movie "Casino" and the show "King of the Hill" then you know that in a live-action version, Sharon Stone would be PERFECT at the role of Peggy Hill.

Utterly insufferable.
submitted by bgdish to Showerthoughts [link] [comments]

Casino (1995) is better than Goodfellas (1990)

Casino (1995) is better than Goodfellas (1990)
I’ll probably get crucified for this, but I wholeheartedly believe Casino to be the better film.
The biggest reason? Sharon Stone.
Next, the pacing. Both movies clock 2+ hrs, but I feel the pacing of Casino to be superior. Once the helicopters start chasing coked out Henry, I begin to tune out.
I’m not discounting how phenomenal a movie Goodfellas is. Pesci, Deniro did an excellent job, incredible camera work, perfect music make it a masterpiece. But casino has all that + Sharon Stone.
I’d like to think I get why Goodfellas is so popular, but Casino is just plain better.
submitted by muroks1200 to movies [link] [comments]

[US Promotion] I would like to celebrate Thanksgiving by gifting you all books!

UPDATE: More books added by siffis and West1234567890 further down
If are late coming across this post then do not worry you can still message me your email for a book.
To celebrate my day off today and Thanksgiving tomorrow I would like to gift my audiobooks.
In order to recieve a free audiobook gift just message me any title (below) along with your email address. If you have not recieved a gift before then you will get the audiobook for free. More details here and here. I am in the US market (but I hear from Canada and UK that it still works).
Books crossed out are not available.
TITLE - AUTHOR (Ordered by author)

siffis has generously offered to include his collection. If you like any of the books below then message directly.

West1234567890 [Also added additional books below](https://www.reddit.com/audible/comments/k0s76n/us_promotion_i_would_like_to_celebrate/gdlwylu?utm_source=share&utm_medium=web2x&context=3).
submitted by BooksAreBelongToUs to audible [link] [comments]

Both Heat and Casino turn 25 this year: Which is your favorite?

Michael Mann's Heat and Martin Scorsese Casino came out only three weeks apart from each other back in the winter of 1995. Both starred Robert DeNiro, but other than that they're very different crime movies. That being said both have fans that call either of them one of, if not the best, movies in its genre.
I'm wondering, if you had to pick one, which would be it be?
submitted by bigpig1054 to movies [link] [comments]

A Cinematic Guide to The Weeknd: Pt 3. My Dear Melancholy and After Hours

A Cinematic Guide to The Weeknd: Pt 3. My Dear Melancholy and After Hours

My Dear Melancholy

Gaspar Noe/Cannes Film Festival
The My Dear Melancholy era notable for being a time when The Weeknd was in proximity to a lot of serious directors. While he’s had a foot in Hollywood for awhile, 2017 through 2019 he was actively engaging with filmmakers like the Safdies Brothers, Gaspar Noe, and Claire Denis, amongst others. While he had been actively courting the Safdies since Good Time was released, he attended the 2018 Cannes Film Festival where he crossed paths Noe, whose film Climax took home a number awards at Cannes. Noe’s Enter the Void had previously served as an inspiration for Kiss Land, and for MDM (and later After Hours) seem to call back to Noe’s other films, like Irreversible and Love, which are both twisted depictions of heartbreak. On the other hand, Climax is about a French dance troupe who accidentally take LSD, and according to Noe is not a “message” movie. It is an audacious psychedelic technical exercise, with numerous long takes and highly choreographed set pieces. The idea for Noe, who had previously captured the feeling of drugs in previous films, was to do the opposite, and present the objectively reality of drugs, watching people high from a sober perspective.
Noe is a rather strong advocate of film, and the opening scene of Climax features VHS boxes of a number of films that have influenced his filmmaking. Two of note are Schizophrenia, otherwise known as Angst, one of Noe’s favorite films which The Weeknd name checked to the Safdies, and Possession, which would go on to be an influence on After Hours (more on this later). He is also said to have sat next to Benicio Del Toro at Cannes, which means he likely caught some of the Un Certain Regard section, where Del Toro served as a jury member. Outside of that section, there were a few other films of interest such as The House That Jack Built from Lars Von Trier (The Weeknd has previously expressed affection for Von Trier’s Antichrist), Mandy from Pastos Costamos, and music video director Romain Gavras’s The World Is Yours, as well as a restoration of 2001: A Space Odyssey, which Noe has referred to as the film that got him into filmmaking.
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Asian Cinema
Later in 2018, The Weeknd continued his globetrotting with a tour of Asia. He once claimed in an interview that whenever visiting a foreign country he only watches films from there. I’ve previously written about the influence of Asian cinema on Kiss Land, and there’s not enough work from the MDM era to glean anything cinematically adjacent to this, but now would be a good time to mention that the "Call Out My Name" video was heavily inspired by the work of famed Japanese photographer Hiroshi Sugimoto. The Asian tour poster seems to be a reference to Ichi the Killer, which leads us to Takashi Miike. Though he is notoriously prolific across a number of genres, his most popular works internationally are genre melding blends of horror, comedy and crime, most notably Audition, Ichi the Killer and Gozu. Another film worth mentioning is Perfect Blue, Satoshi Kon’s masterwork about a pop star’s mysterious stalker that The Weeknd posted about on Instagram before. Bloody and haunting, the film was a major influence on Darren Aronofsky’s Black Swan and Requiem for a Dream. In Interviews he has also mentioned a number of Korean films, such as The Wailing, I Saw the Devil and Oldboy. While Wong Kar Wai was previously mentioned as an influence on Beauty Behind the Madness, also worth mentioning is the work of John Woo, specifically A Better Tomorrow, well known for the shot of smoking a cigar off money, and Infernal Affairs, Andrew Lau’s crime classic which served has the basis for Scorsese’s The Departed.
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After Hours

Martin Scorsese
While After Hours more so than any other Weeknd album is bursting at the seams with cinematic references, the influence of Martin Scorsese stands above all. Similar to The Weeknd’s body of work, many Scorsese’s are explorations of violence and masculinity, investigating them from a perspective that depending on who you ask (and how they’re feeling) glamorizes, condemns or just simply presents the reality of characters on the fringes of society.
While there are direct references to a number of prominent Scorsese films, what’s interesting is that his influence also reverberates in other films/filmmakers that influence After Hours. Todd Phillips’s Joker is in effect an homage to Scorsese’s loner-centric New York films, and the Safdie Brothers have been putting their own millennial spin on the type of 70s gritty thriller that Scorsese trafficked in (Scorsese was also a producer on Uncut Gems). Specific Scorsese works will be discussed more in depth in the requisite sections, but it is worth mentioning upfront what a prominent role that Scorsese plays in the nucleus of After Hours.
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Urban HorroIsolation
With After Hours, The Weeknd departs from the slicker sounds and influences that permeated Starboy and returns to the cinematic grittiness of Beauty Behind the Madness. While urban horror is a theme that permeates throughout The Weeknd as a project overall, there is a thorough line to be drawn here that follows a number of 70s and 80s cinematic and aesthetic references. For one thing, while the initial bandaged nose was a reference to Chinatown (previously, The Weeknd has a Kiss Land demo titled "Roman Polanski"), the full bandaged face that is so prominently featured throughout the After Hours era is a classic cinematic visual trope that was especially prominent throughout 60s and 80s, though it saw a slight re-emergence in the 2010s. The fully bandaged face is often used to remake someone in the image of another, usually against their will (The Skin I Live In, Eyes Without Face), or as a case of mistaken identity and doppelgängers (Good Night Mommy, Scalpel), themes present throughout much of After Hours. The "Too Late" video acknowledges these references, but instead presents the bandages on two Los Angeles models recovering from plastic surgery, in a nod to a famous Steven Meisel’s photoshoot for Vogue Italia.
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The “masks” people wear is another horror trope that is featured prominently on After Hours, and this is best seen in the red suit character. One important reference in the film is to Brian De Palma’s Dressed To Kill, where a serial killer is targeting the patients of a psychiatrist (any more on this film will veer towards spoiler territory). The Weeknd is on the record as saying Jim Carrey’s The Mask as being a large influence on the Red Suit character, it being one of the first film’s he watched in theaters. One of the more complex references would be to Joker. While it sort of an in-joke that the character of the Joker is commonly overanalyzed and misinterpreted, referencing Todd Phillips’s Joker is more nuanced because it is in essence a full on homage to Martin Scorsese’s New York films, most notably Taxi Driver and The King of Comedy, which focus on eccentric loners, and can both be seen as cautionary tale of urban isolation, a theme explored perhaps in songs like "Faith." The King of Comedy revolves around a would be obsessive stand up Rupert Pupkin haggling his way to perform on late night TV, with The Weeknd’s talk show appearances being a prominent part of the early After Hours marketing, most notably in the “short film”. This idea of isolated and compressed urbanites recurs throughout After Hours and it’s films.
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The idea of urban repression is in the subway scene of the After Hours short film. The entire film itself is something of a reference to the subway scene to Possession (another Gaspar Noe favorite), mimicking the (also subway set) scene in which Isabelle Adjani’s Anna convulses on the subway due to a miscarriage, as well as Jacob’s Ladder, a 90s cult classic horror film starring Tim Robbins as a Vietnam vet (like Taxi Driver’s Travis Bickle) who is experiencing demonic hallucinations, encountering them in the subway and later at a party he attends, splitting the scene into two.
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Las Vegas
As always, The Weeknd once again grounds After Hours with a strong sense of place, this time setting the album against a nocturnal odyssey through Las Vegas. One of the most prominent films is Fear and Loathing in Las Vegas, Terry Gilliam’s adaptation of Hunter S. Thompson’s book. This is directly referenced in the "Heartless" video, which sees The Weeknd and Metro Boomin in the Johnny Depp and Benicio Del Toro roles as they tumble through a Las Vegas casino. The Weeknd has gone on the record to state that the famous red suit character was influenced by Sammy Davis Jr.’s character in the film Poor Devil. However, similar red suit has also been sported by a number of Vegas characters, most notably Richard Pryor and Robert De Niro’s Sam Rothstein in Martin Scorsese’s Casino. With the red suit, The Weeknd seems to be playing with the idea of a devil-ish other, another side of his personality that emerges in Las Vegas.
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While the city lights are the oft discussed part of part of Las Vegas, it should be noted that similar to Beauty Behind the Madness, the desert that surrounds Las Vegas is just as important to the juxtaposition of its beauty. The "Until I Bleed Out" video ends/"Snowchild" video in the desert, similar to the confrontation between Robert De Niro’s and Joe Pesci’s showdown in the desert in Casino, as well as Joe Pesci's death in Goodfellas. The idea of a hedonistic desert playground also bears semblance to Westworld, both the film and the TV show. The desert seems to represent some sort of freedom to The Weeknd, as the "Snowchild" video portrays the desert as a pensive location for reflection, as well as the "In Your Eyes" video showing the girl prominently dancing with the dismembered head out in the open, in reference to The Texas Chainsaw Massacre, another prominent desert film.
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New York/The Safdies
Despite it’s Las Vegas setting, After Hours also takes a good amount from films set in New York, most notably Martin Scorsese’s 1983 film After Hours. Besides the title, After Hours is similarly about a twisting and turning nighttime odyssey. The film stars Griffin Dunne as Paul, a working class stiff who heads downtown to rendezvous with a woman he met at a diner earlier that night. Of course, things don’t turn out the way they should, chaos ensues, and Paul is set on a dangerous trek back uptown. Like the film, the album After Hours is set off by a woman (though the album takes more stock in romantic endeavors), seems to be set over a single night (or at least a condensed period of time), and involves similar chaos and misadventures (sirens at night at the end of Faith). Tonally, After Hours the film is more comedic perhaps than After Hours the album, however The Weeknd is on the record as having said that "Heartless" and "Blinding Lights" placement on the album is intended to be somewhat comedic, reflecting exaggerated machismo and ecstasy, respectively (to comedic effect).
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Another of the most prominent filmmakers of After Hours are the Safdies, who featured The Weeknd in Uncut Gems. They also served as a link to Oneohtrix Point Never, who scored their last two films and later worked After Hours. I believe there are three major film tropes (not genres) that inspired After Hours, all of which the Safdies’s have engaged with. There is the one-long-night films, in which a character spends one-long-night on the run from whatever chaos and forces may be that they left in their path. This can be seen in the Good Time, as well as After Hours (the movie). Then, there is the descent-into-madness type, where a character slowly loses grip with reality and ends up in over their head (something like Scarface or Breaking Bad, but for our purposes Jacob’s Ladder can be categorized here as well), which the Safdies did with Uncut Gems. Lastly, but maybe most importantly, the Safdies also explored toxic romance (more on this later) in their less seen film Heaven Knows What, about two heroin addicts and the destructiveness their love brings out in each other, an idea that recurs throughout After Hours on songs like "Until I Bleed Out" and "Nothing Compares." A recurring song throughout Heaven Knows What is Isao Tomita’s synth version of Debussy’s "Claire De Lune", which is featured in some episodes of Memento Mori and bears some resemblance to the start of "Alone Again".
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Obsession/Toxic Romance
While love and lust and the ups and downs with it have been a formative part of The Weeknd’s ideology and themes, I don’t think it would be remiss to say that After Hours is perhaps his most outwardly romantic album. Despite this, one of the major arcs of the album is toxicity that comes with it, which a number of already mentioned films deal with. While "In Your Eyes" is one of the more romantic and accessible songs on the album, a re-assessment of it Ala Sting’s “Every Breathe You Take” could frame it as lonely obsessing, such as Travis Bickle’s infatuation with Jodie Foster’s teenage prostitute Iris, Joker's fixation on Murray Franklin, Rupert Pupkin’s obsession with Jerry Langford. Casino also deals with toxic romance, another prominent theme in After Hours, best seen in the love triangle that forms between Sam, his partner Nicky and his wife Ginger, played by Joe Pesci and Sharon Stone respectively.
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In almost all of the After Hours’s video content, The Weeknd seems to constantly meet his demise at the hands of women. Another interesting reference that may be something of a reach is to Phantom Thread, Paul Thomas Anderson’s film about Reynolds Woodcock, a couture dressmaker loosely based on Cristobal Balenciaga and his muse Alma, played by Daniel Day Lewis and Vicky Krieps, respectively. The film delves into their dysfunctional relationship, with Woodcock berating her and Alma poisoning his tea to keep him dependent on her. One of the highpoint of the film is a New Years Eve Party that bears strong resemblance to the "Until I Bleed Out" video. While the balloons may just be a callback to his earlier work, there is something about the color grading/temperature and the production design of the "Until I Bleed Out" video (as well as parts of the "Blinding Lights" video) that made me immediately think of Phantom Thread. A similar relationship is seen in the German horror film Der Fan, which The Weeknd has mentioned in a recent interview. In Der Fan, a young girl Simone spends her days obsessing over popstar R, until she finally encounters him outside his studio. The film is similar to the aforementioned Takashi Miike’s Audition in its exploration of obsession and idealization. In the film, an older man puts up a fake casting call to search for the perfect girlfriend. While Audition explores these themes from an Eastern perspective of societal pressure, Der Fan explores it through a Western lens of pop idolization and idealization. Both films deal with the idea that despite outward appearances, the perfect partner does not exist, and anyone that claims to be (or has the expectations put on them) is not who they seem.
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One film he has spoken at length about is Trouble Everyday, Claire Denis’s arthouse vampire movie. The film stars Vincent Gallo as Shane, a scientist who travels to Paris under the guise of his honeymoon to track down core, a woman who he was once obsessed with who has now become a vampire. Core is locked up in a basement but sometimes sneaks out to seduce and consume unwilling victims. This seems to be where some of the bloody face stuff comes from, but I believe it’s influence is a little more conceptual. To me, a good companion film to Trouble Everyday is American Psycho, which seems to also have been a thematic influence on After Hours. Both films concern idealized version of masculinity and femininity, both very sexual and physical, but hostile as well. American Psycho ends with Patrick Bateman confessing to the killing of a prostitute, but no one believe him. Trouble Everyday ends with Shane killing Core, but Shane is unable to arouse himself after that except through violence. Koji Wakamatsu, a former Yakuza turned prominent extreme Japanese filmmaker (and a major influence on Gaspar Noe) is quoted as saying “For me, violence, the body and sex are an integral part of life.” Despite being hollow, idealized impressions of the self, a vampire and as a banker (cold, seductive bloodsuckers = monsters), Patrick Bateman and Core represent the Frankenstein-ian relationship between sexuality and violence, which I believe is the main theme of After Hours. Truly, we hurt the ones we love.
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Postscript

To cap things off, I would just like to illuminate some key takeaways. As a filmmaker myself, this has been an extremely helpful exercise in understanding other artists process and ideas.
Steeped in the history of the medium…
It’s clear that The Weeknd is not your typical “I’m influenced by cinema” artist but an extremely legit film buff with serious credentials. The Weeknd’s film taste leans towards 70s-00s genre works, mostly horror, drama and thriller, and is well versed in the classics but also has the nose to sniff out deeper cuts and obscurities. The mantra of “good artists borrow, great artists steal” works even better if not many people know where you’re stealing from! What is impressive to me is that he is not just versed in “mainstream” obscurities, but also serious deep cuts. Films like Possession and Phantom of the Paradise may not stick out to the average person on the street but are well known in most film circles. Films like Inland Empire and New Rose Hotel (Der Fan was especially impressive to me, it is one of my favorite films) however are not as well known and it is very impressive to me that he can come across films like that, and really get enough out of it to bring into his own work.
…is able to interpolate contemporary/mainstream films…
This perhaps is one of the most impressive aspects of his integration of film into The Weeknd’s work. It is very easy for film buffs to get lost within their own obscure taste, living in a world where everyone is an idiot for not knowing who Shinya Tsukamoto. Trilogy and Kiss Land had a lot of contemporary obscurities, like Stalker, David Lynch etc., well known but they still existed as artifacts, not of the time we live in. However, perhaps picking something from his work on Fifty Shades of Grey, of late he has kept his finger on the zeitgeist and anticipated/integrated what the filmmakers of today are doing, such as his work on Black Panther and Game of Thrones, general appreciation of Tarantino, the works of Nicolas Winding Refn in Starboy, and his use of the Joker and Uncut Gems on After Hours, both of which came out just a few months before the album. It feels Jackson-esque, and I believe this is one thing that will help him further in his quest for pop stardom.
…while also being fully in tune to the works of modern transgressive auteurs…
In addition to keeping up with the mainstream is in touch with, The Weeknd also makes it a point to seek out and learn from the cutting edge filmmakers of today. While the Safdies were always going to blow up, I don’t doubt that a Weeknd co-sign accelerated their rise. Gaspar Noe is one thing, Enter the Void and Irreversible exist as masterpieces of the mainstream obscurities I’ve been mentioning, but he really truly tries to understand the heart of Noe’s work, even going so far back as to understand Noe’s influences (I sincerely hope he is tuned in to the work of Koji Wakamatsu). But most of all, to be a fan of Claire Denis is one thing, but to seek her out and make her an offer that she ACCEPTED is absolutely astounding to me. Just spitballing but it would be like if Michael Jackson shot a music video with Rainer Werner Fassbinder (who I’d bet good money that The Weeknd was put on to by Noe). We can only PRAY that one day we will be blessed with a David Lynch Weeknd video.
---------------------------
…and that just about does it. Hope you enjoyed this and thanks for being patient with me. I got quite busy after the first two and had my own projects/work going that kept me occupied. As we’re still technically in the After Hours era, I also wanted to wait until a few more videos and interviews came out to aid me in my research.
I also wanted to find enough time to make the Letterboxd for this. I personally don’t love Letterboxd culture, I find the popular culture surrounding the site a bit snobbish and exclusive, but I’ve gotten a number of requests for one and you gotta give the people what they want. Throughout the list are a few films that he hasn’t mentioned but are some of my personal favorites and I believe Weeknd fans will like, I encourage you to accidentally stumble upon things on it. Don't overthink, just pick something and watch!
If you’d like to follow me further, you can find me on Instagram here, where I post about film reviews Letterboxd style. I prefer Instagram so that more average people see it instead of an echo chamber of film snobs. I am also a filmmaker myself, I just recently wrapped this short film and am currently in the process of putting together my next project.
The main reason I did this however, besides a general appreciation of The Weeknd’s work, was to put more people on to the beautiful art form that is cinema. One thing I learned from Scorsese is that one must be an advocate and truly champion your medium. I hope that this encourages to check out more interesting movies than they wouldn’t normally come across, and I hope this will inspire more people to create more as well, whether it be to write, make films, music, anything. If even one person picks up a pencil, a camera or a keyboard because of these posts, I will be satisfied.
Thanks all!
submitted by eve_salmon to TheWeeknd [link] [comments]

Casino (1995) [720p] Martin Scorsese.

Casino (1995) [720p] Martin Scorsese. submitted by Riv_829 to fullmoviesonyoutube [link] [comments]

Director Cut S-ex Mo-vie Nw

Director Cut S-ex Mo-vie Nw
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Reddit Chosen Oscars: 1995 Winners

Best Picture
1. Toy Story
2. Seven
3. Before Sunrise
4. Apollo 13
5. The Usual Suspects
6. Braveheart
6. Heat
8. Casino
9. Babe
10. 12 Monkeys
Best Director
  1. David Fincher for Seven
  2. Ron Howard for Apollo 13
  3. Mel Gibson for Braveheart
  4. Michael Mann for Heat
  5. Richard Linklater for Before Sunrise
Best Lead Actor
  1. Nicolas Cage as Ben Sanderson in Leaving Las Vegas
  2. Ethan Hawke as Jesse in Before Sunrise
  3. Morgan Freeman as William Somerset in Seven
  4. Tom Hanks as Jim Lovell in Apollo 13
  5. Sean Penn as Matthew Poncelet in Dead Man Walking
Best Lead Actress
1. Julie Delpy as Céline in Before Sunrise
2. Sharon Stone as Ginger McKenna in Casino
3. Susan Sarandon as Sister Helen Prejean in Dead Man Walking
4. Nicole Kidman as Suzanne Stone-Maretto in To Die For
4. Elisabeth Shue as Sera in Leaving Las Vegas
6. Emma Thompson as Elinor Dashwood in Sense and Sensibility
Best Supporting Actor
  1. Kevin Spacey as Roger "Verbal" Kint/Keyser Söze in The Usual Suspects
  2. Brad Pitt as Jeffrey Goines in 12 Monkeys
  3. Ed Harris as Gene Kranz in Apollo 13
  4. James Cromwell as Arthur Hoggett in Babe
  5. Joe Pesci as Nicky Santoro in Casino
Best Supporting Actress
  1. Kate Winslet as Marianne Dashwood in Sense and Sensibility
  2. Gwyneth Paltrow as Tracy Mills in Seven
  3. Mira Sorvino as Linda Ash in Mighty Aphrodite
  4. Kathleen Quinlan as Marilyn Gerlach Lovell in Apollo 13
  5. Joan Allen as Pat Nixon in Nixon
Best Original Screenplay
  1. Toy Story
  2. Seven
  3. Before Sunrise
  4. The Usual Suspects
  5. La Haine
Best Adapted Screenplay
1. 12 Monkeys
2. Casino
3. Apollo 13
4. Babe
4. Sense and Sensibility
6. Leaving Las Vegas
Best Animated Film
1. Toy Story
2. Ghost in the Shell
3. Pocahontas
3. Whisper of the Heart
5. A Goofy Movie
Best Non-English Language Film
  1. La Haine
  2. Ghost in the Shell
  3. Il Postino: The Postman
  4. Whisper of the Heart
  5. Underground
Best Documentary Film
  1. A Personal Journey with Martin Scorsese Through American Movies
  2. The Battle Over Citizen Kane
  3. Anne Frank Remembered
  4. Frank and Ollie
  5. Unzipped
Best Original Score
  1. Toy Story
  2. Braveheart
  3. Apollo 13
  4. Seven
  5. Sense and Sensibility
Best Original Song
  1. "You’ve Got a Friend in Me" from Toy Story
  2. "Colors of the Wind" from Pocahontas
  3. "Gangsta’s Paradise" from Dangerous Minds
  4. "GoldenEye" from GoldenEye
  5. "Hold Me, Thrill Me, Kiss Me, Kill Me" from Batman Forever
Best Sound
  1. Apollo 13
  2. Heat
  3. Toy Story
  4. Braveheart
  5. Seven
Best Production Design
  1. Braveheart
  2. Apollo 13
  3. Seven
  4. 12 Monkeys
  5. Sense and Sensibility
Best Cinematography
  1. Seven
  2. Braveheart
  3. Apollo 13
  4. Heat
  5. Casino
Best Makeup/Hairstyling
1. Braveheart
2. Batman Forever
2. Seven
4. Clueless
5. 12 Monkeys
Best Costume Design
  1. Braveheart
  2. Sense and Sensibility
  3. Clueless
  4. Casino
  5. 12 Monkeys
Best Editing
  1. Seven
  2. Apollo 13
  3. Heat
  4. Casino
  5. Braveheart
Best Visual Effects
  1. Apollo 13
  2. Toy Story
  3. Babe
  4. Jumanji
  5. Batman Forever
Best Voice Acting Performance
  1. Tom Hanks as Woody in Toy Story
  2. Tim Allen as Buzz Lightyear in Toy Story
  3. Christine Cavanaugh as Babe in Babe
  4. Bill Farmer as Goofy in A Goofy Movie
  5. Irene Bedard and Judy Kuhn as Pocahontas in Pocahontas
Best Directorial Debut
  1. John Lasseter for Toy Story
  2. Noah Baumbach for Kicking and Screaming
  3. F. Gary Gray for Friday
  4. Michael Bay for Bad Boys
  5. Larry Clark for Kids
Best Ensemble Cast
  1. The Usual Suspects
  2. Seven
  3. Apollo 13
  4. Heat
  5. Casino
Best Choreography, Stunts or Dance
  1. Braveheart
  2. Heat
  3. GoldenEye
  4. Rumble in the Bronx
  5. Apollo 13
Best Soundtrack
  1. Toy Story
  2. Pocahontas
  3. Casino
  4. Clueless
  5. Batman Forever
Best Non-English Language Performance
  1. Vincent Cassel as Vinz in La Haine
  2. Massimo Troisi as Mario Ruoppolo in Il Postino: The Postman
  3. Gong Li as Xiao Jinbao in Shanghai Triad
  4. Isabelle Huppert as Jeanne in La Ceremonie
  5. Miki Manojlović as Marko Dren in Underground
Preferential ballot for this year
Full charts for all the categories
submitted by JuanRiveara to oscarrace [link] [comments]

Reddit Chosen Oscars: 1995 Winners

Best Picture
1. Toy Story
2. Seven
3. Before Sunrise
4. Apollo 13
5. The Usual Suspects
6. Braveheart
6. Heat
8. Casino
9. Babe
10. 12 Monkeys
Best Director
  1. David Fincher for Seven
  2. Ron Howard for Apollo 13
  3. Mel Gibson for Braveheart
  4. Michael Mann for Heat
  5. Richard Linklater for Before Sunrise
Best Lead Actor
  1. Nicolas Cage as Ben Sanderson in Leaving Las Vegas
  2. Ethan Hawke as Jesse in Before Sunrise
  3. Morgan Freeman as William Somerset in Seven
  4. Tom Hanks as Jim Lovell in Apollo 13
  5. Sean Penn as Matthew Poncelet in Dead Man Walking
Best Lead Actress
1. Julie Delpy as Céline in Before Sunrise
2. Sharon Stone as Ginger McKenna in Casino
3. Susan Sarandon as Sister Helen Prejean in Dead Man Walking
4. Nicole Kidman as Suzanne Stone-Maretto in To Die For
4. Elisabeth Shue as Sera in Leaving Las Vegas
6. Emma Thompson as Elinor Dashwood in Sense and Sensibility
Best Supporting Actor
  1. Kevin Spacey as Roger "Verbal" Kint/Keyser Söze in The Usual Suspects
  2. Brad Pitt as Jeffrey Goines in 12 Monkeys
  3. Ed Harris as Gene Kranz in Apollo 13
  4. James Cromwell as Arthur Hoggett in Babe
  5. Joe Pesci as Nicky Santoro in Casino
Best Supporting Actress
  1. Kate Winslet as Marianne Dashwood in Sense and Sensibility
  2. Gwyneth Paltrow as Tracy Mills in Seven
  3. Mira Sorvino as Linda Ash in Mighty Aphrodite
  4. Kathleen Quinlan as Marilyn Gerlach Lovell in Apollo 13
  5. Joan Allen as Pat Nixon in Nixon
Best Original Screenplay
  1. Toy Story
  2. Seven
  3. Before Sunrise
  4. The Usual Suspects
  5. La Haine
Best Adapted Screenplay
1. 12 Monkeys
2. Casino
3. Apollo 13
4. Babe
4. Sense and Sensibility
6. Leaving Las Vegas
Best Animated Film
1. Toy Story
2. Ghost in the Shell
3. Pocahontas
3. Whisper of the Heart
5. A Goofy Movie
Best Non-English Language Film
  1. La Haine
  2. Ghost in the Shell
  3. Il Postino: The Postman
  4. Whisper of the Heart
  5. Underground
Best Documentary Film
  1. A Personal Journey with Martin Scorsese Through American Movies
  2. The Battle Over Citizen Kane
  3. Anne Frank Remembered
  4. Frank and Ollie
  5. Unzipped
Best Original Score
  1. Toy Story
  2. Braveheart
  3. Apollo 13
  4. Seven
  5. Sense and Sensibility
Best Original Song
  1. "You’ve Got a Friend in Me" from Toy Story
  2. "Colors of the Wind" from Pocahontas
  3. "Gangsta’s Paradise" from Dangerous Minds
  4. "GoldenEye" from GoldenEye
  5. "Hold Me, Thrill Me, Kiss Me, Kill Me" from Batman Forever
Best Sound
  1. Apollo 13
  2. Heat
  3. Toy Story
  4. Braveheart
  5. Seven
Best Production Design
  1. Braveheart
  2. Apollo 13
  3. Seven
  4. 12 Monkeys
  5. Sense and Sensibility
Best Cinematography
  1. Seven
  2. Braveheart
  3. Apollo 13
  4. Heat
  5. Casino
Best Makeup/Hairstyling
1. Braveheart
2. Batman Forever
2. Seven
4. Clueless
5. 12 Monkeys
Best Costume Design
  1. Braveheart
  2. Sense and Sensibility
  3. Clueless
  4. Casino
  5. 12 Monkeys
Best Editing
  1. Seven
  2. Apollo 13
  3. Heat
  4. Casino
  5. Braveheart
Best Visual Effects
  1. Apollo 13
  2. Toy Story
  3. Babe
  4. Jumanji
  5. Batman Forever
Best Voice Acting Performance
  1. Tom Hanks as Woody in Toy Story
  2. Tim Allen as Buzz Lightyear in Toy Story
  3. Christine Cavanaugh as Babe in Babe
  4. Bill Farmer as Goofy in A Goofy Movie
  5. Irene Bedard and Judy Kuhn as Pocahontas in Pocahontas
Best Directorial Debut
  1. John Lasseter for Toy Story
  2. Noah Baumbach for Kicking and Screaming
  3. F. Gary Gray for Friday
  4. Michael Bay for Bad Boys
  5. Larry Clark for Kids
Best Ensemble Cast
  1. The Usual Suspects
  2. Seven
  3. Apollo 13
  4. Heat
  5. Casino
Best Choreography, Stunts or Dance
  1. Braveheart
  2. Heat
  3. GoldenEye
  4. Rumble in the Bronx
  5. Apollo 13
Best Soundtrack
  1. Toy Story
  2. Pocahontas
  3. Casino
  4. Clueless
  5. Batman Forever
Best Non-English Language Performance
  1. Vincent Cassel as Vinz in La Haine
  2. Massimo Troisi as Mario Ruoppolo in Il Postino: The Postman
  3. Gong Li as Xiao Jinbao in Shanghai Triad
  4. Isabelle Huppert as Jeanne in La Ceremonie
  5. Miki Manojlović as Marko Dren in Underground
Preferential ballot for this year
Full charts for all the categories
submitted by JuanRiveara to Oscars [link] [comments]

Thoughts on Scorsese's Casino?

So am just getting into Scorsese films, and am absolutely loving it at the moment. I was wondering what reddit thinks of Casino, as I don't see it regarded with Goodfellas, Raging Bull, The Wolf of Wall Street etc. I know it follows a similar structure of Goodfellas and has some iconic actors was just wondering what people's opinions on it are and how it stacks up with some other of his films.
submitted by Lachie07 to movies [link] [comments]

[Spoilers] Goodfellas vs Casino - Which do you prefer?

Two similiar movies, they share the same director + many of the same actors and are about the mob.
I revisted both a while ago and think that while Casino is enjoyable Goodfellas is overall definitely the better movie. It's better paced and Henry's rise and fall story is better executed. There are far more iconic scenes as well
Not to mention the dynamic between Henry, Tommy and Jimmy is very entertaining. More so than the trio in Casino
And Karen wasn't nearly as annoying as Ginger..Sharon Stone gave a good performance but the character was just insufferable. Also Scorsese went overboard with the voice overs in Casino, feels like it never stops
submitted by FanEu7 to movies [link] [comments]

What's the history of your Hobby ? How did your biggest Hobby become your Hobby ?

As in : What was your moment when you noticed "Hey, this could really be awesome as a full-fledged hobby, this is something that I can have a lasting interest in ?
My main Hobbys are primary Movies, Film & Cinema, as well as Manga & Anime.
Fair Disclaimer : This is going to be way to long, I don't really expect anyone to read through all of it. More than anything I wrote that for myself, I just felt an itch that I needed to type that all out for once.
For me it was when I first watched Raiders of the Lost Ark (1981) and Die Hard (1988). I had watched them both within the same week for the first time.
But before I can talk about that, I have to go back a little further.
Up to this point I had only watched Disney Cartoons (Mickey Mouse, Donald Duck, Goofy), Disney Movies (pretty much ALL the animated Disney classics + some Pixar, I guess). Parallel to watching a lot of Disney stuff, I also read many many Disney Comics starring Mickey Mouse, Donald Duck, Goofy, Pluto and Many More (Here in Germany Disney Comics are pretty famous and well known).
And I watched A LOT of Anime (Shonen). And I mean a lot. My biggest Anime fandoms where no doubt Pokemon, Digimon, Dragon Ball, One Piece, Yu-Gi-Oh, Detective Conan and Inu Yasha. Of all these Animes, I had also read the Mangas. Later on, when I started to read more manga (including reading rough scanlations online) and watching anime subbed online, I got into Naruto, Shaman King, Hunter X Hunter, Bleach and Death Note. AND - what's important - even before I watched real movies I was pretty damn big on CLAMP X/1999, Cowboy Bebop, Hellsing, Gantz, Trigun and a couple more I don't recall (Speed Grapher, Trinity Blood ?) ... So more mature stuff was not unheard of to teenage me.
I also was a huge Nintendo Fan : Super Mario, Yoshi, Donkey Kong, Mario Kart, The Legend of Zelda, Metroid, Star Fox, Pokemon, Kirby, F-Zero, Super Smash Bros. - you name it, but this is a whole different story altogether. I only ever owned Nintendo videogame hardware though and I exclusively played major Nintendo IP's. Never had a PlayStation, never wanted one. Yeah, I guess you can say I had picked my side.
Anyway, back to films :
The only live action films I had watched up to that point were superhero comicbook adaptations (DC Comics & Marvel Comics). I still watch those to this day, and I like them well enough, but I always knew and always felt that thes were just adaptations of a much bigger comic-universe and that there was verd little intrinsicly cinematic about then. Of course, with the advent of the Jaggernaut that is the MCU that has changed to a certain degree.
It's kinda hard to say why I was so wild for the Donner / Reeves Superman films, the Burton / Keaton Batman films, and yes, also the Schoemaker films (I know, I know ...) or the Raimi / Maguire Spider-Man films ... I don't exactly know why. Funnily enough I never really got into the DC Comics and Marvel Comics, which are the source material to these films. And neither did I ever really get into their cartoon adaptations. I am not sure why, wrong place, wrong time I guess. Plus I was effectively preoccupied with Anime.
Anyway, I suppose I was daunted by the sheer amount of material. I was always a kid who liked order and oversight in and over his collection and hobby. I didn't understand the publication history, multiple concurrently running series featuring the same hero, story arcs being spread out over up to 4 or 5 series, crossover events with other heroes, never knowing which crossovers are actually important. Add to that the fact that each issue in germany combined like 2 or 3 us-american issues, sometimes combining issues of different series into one german issue running under the brand of the main hero it featured, which made it all even more confusing. I tried to get into american superhero comics multiple times, bought quite a few issues and even read a couple of stories I really liked. But it just never clicked.
Then there are of course collected editions if story arcs or certains character runs by singular authors and artists (called graphic novels), but then there are also One-Off Standalone / Spin-Off / Elseworld stories and graphic novels. And last but not least, there are these company wide major mega crossover events that tend to reset large chunks of the universes and characters continuity. Supposedly in order to create new entry points for new readers, but I don't know ... To me, that made it even more confusing. Besides, I like to get a full story of a character I like. I don't want to be told basically "yeah, you know kid, basically 80% of what we have published until now doesen't count anymore lol".
With manga you have a clear beginning, one series, weekly or monthly chapters, collected volumes (tankobons) and once it's finished a clear ending. Sure it can be long as hell (in the case of One Piece over 90 volumes already), but at least when you read or watch it all you have a complete story. I guess I just always preferred that. Maybe that's why I liked the early Comicbook film adaptations of DC Comics and Marvel Comics : As a way of simplification.
Now, there was a time when I only watched DC and Marvel adaptions out of principle, even though even back then I already knew that some of them where pretty fucking bad. I had a weird obsession with Batman Returns though, which I still have to this day. Probably has something to do with the fact that I was like 10 when I first watched it and really, really liked Michelle Pfeiffers Catwoman, if you know what I mean.
But then my interest in - for lack of a better term - "real" Films started to rear it's head. Films that where originally cinematic.
I had a phase where I was pretty obsessed with the Die Hard and Indiana Jones movies. They proved to be pretty damn good gateway blockbusters. Indiana Jones functioned as a gateway to Star Wars and that whole universe George Lucas had created. By the way : Yes, I watched Indiana Jones before Star Wars. The Indiana Jones films also served as a gateway to ALL the other Steven Spielberg films (the serious ones as well). I was shocked how many movies I had heard of but never cared for were actually Spielberg movies. The unbelievable range from "Jaws" to "Schindlers List" or from "E.T. theExtra-Terrestrial" to "Amistad" or "Minority Report" first made me realize how important the DIRECTOR is.
After that I had a phase where I wanted to be cool and prove to myself I am hardcore enough to watch A LOT of Horror. My idea of Horror though, back then at least, was limited to 90% slasher. So I obsessed over Halloween, Friday the 13th, Nightmare on Elm Street, Scream, The Texas Chainsaw Massacre, The Hills Have Eyes and pretty much all of Romeros Living Dead (Zombie) films. It was arround that time that first torture porn wave swept over the Horror landscape and I was pretty proud of myself watching Saw and Hostel and talking about them at school, even though I remember HATING them.
During the same time there was the Fantasy craze of the 00's and I got pretty involved with the Harry Potter and the The Lord of the Rings movies as well, but that always remained a secondary interest. I never read any of the books of either series, I have admit to ny great shame. It just wasen't the right time for me to read young fantasy or high fantasy novels. Even though I did like to read as a child and youngster. But when Harry Potter and The Lord of the Rings were all the rage I just was preoccupied with different interests, so it kinda fell through the cracks. I do however remember that I liked those films of Harry Potter that I had seen and most certainly all of the The Lord of the Rings films a great deal.
Anyway, after the Spielberg well ran dry I took advice from my friend who was a couple of years older than me. He was like you like Die Hard, well good for you since there's a whole world of 80s balls to the walls action flicks out there. Thusly, the door to Schwarznegger and James Cameron opened.
I probably don't have to tell you that The Terminator movies where my highlight (as well as Predator, which I was pleasantly surprised to learn had the same director as the first Die Hard). After I had seen Aliens, which I loved, I was shocked to find out it was a sequel. So I went back to the first. And so I discovered Ridley Scott. Funnily enough by means of arguably his worst film Alien 3 I learned about David Fincher, who remains one of my favourite director to this day. David Finchers two best works, by the way, are Zodiac and The Social Network, and not - albeit great - Seven and Fight Club, as many would have you believe. That is a fact and nobody will ever convince me otherwise.
Ridley Scott led to me discovering Blade Runner (the Final Cut on my first watch, thankfully) which, for some time, I was convinced was the final word in cinematic quality. I also developed an almost unhealthy obsession with the hard-boiled Michael Douglas starrer Black Rain. I guess it spoke to me because it was set in Japan and I was such a big anime fan.
Parallel to all this, roughly arround the time I started watching Cameron flicks, I also got balls deep into Quentin Tarantino. I remember I felt so smart and accomplished for having "discovered" Tarantino, I felt like a connoisseur of fine wine haha. What did I know he was mainstream. Well he wasn't for ME at the time. Needless to say, I loved all his films, even the slower paced Jackie Brown. Didn't like Death Proof so much, which was his newest release at the time. Naturally Tarantino led me to Robert Rodriguez, whose films I NEVER liked. Not even the ones generally considered good (From Dusk till Dawn, Sin City). For me he always felt like a pretentious poor mans Tarantino. Anyway, Quentin Tarantinos films taught me, for the very first time just how important a screenwriter and a good screenplay are.
After discovering hard SciFi with Ridley Scott and Christopher Nolan's The Prestige (who of course was on my radar because of Batman Begins and nothing else lol), I finally felt smart enough to tackle Stanley Kubrick who, as I had heard and read on multiple occasions, was supposed to be the best director of all time, or at least one of the very best. So I bought a BluRay set containing all of his films from Lolita all the way to Eyes Wide Shut. And while I am sure HE IS one of the best directors of all time ... for me ... NOPE. His aesthetics, his way of telling a story , everything ... simply not for me. Stanley Kubrick's kino and I would not become friends. Not gonna lie, that made me a little sad back in 2008 / 2009 I think, because I really wanted to like his work. I felt like I was supposed to.
But then I caught - totally by chance - Martin Scorseses Casino (1995) by aimlessly flipping through TV channels at night. It was the last 20 minutes of all things. I think I didn't skip to the next channel because I thought the verbal house fight between DeNiro and Sharon Stone was hilarious (Note : The only thing I knew Robert DeNiro from at this time was Jackie Brown).
Anyway, then came the montage of the whacking with House of the Rising Sun which culminated in the now infamous cornfield murder. It was so raw and brutal. There was no music. There was no style or choreography to the beating. It wasn't "cool". There was no heroic escape nor was there a daring hero swooping in to save the day (note that at this point I didn't know that the Joe Persci character was a despicable gangster in his own right). All of it ... it just felt like I was watching a real mafia killing. And I ... WAS ... HOOKED. I rented Casino the next day and watched the whole thing. Talked about it with the guy from the video store. So he gave my GoodFellas. Mean Streets. The Departed. Raging Bull. The Aviator. Taxi Driver. The King of Comedy. After Hours. Scorsese Scorsese Scorsese.
Now I gotta say I was never big on the crime genre, neither in movies nor television. So I probably would have never actively looked out for this movie. But I found it. And that's that.
While Spielberg made me love movies as a medium, Scorsese and DeNiro made me love the craft of actually directing a movie and the art of acting.
DeNiros filmography led me to the films of Francis Ford Coppola and Sergio Leone. And with these movies I realised why I didn't like Kubrick. While Kubrick was cold and sterile, albeit highly intelligent, Coppolas and Leones movies where more character driven, driven by plot, story and acting performances ... and in general simply "warmer", if that makes any sense. They just felt like their was more blood and life and passion to them, compared to all of Kubricks work.
I first got into The Godfather movies and The Dollars trilogy of course, but over time I came to appreciate, in some cases even love, the smaller, quirkier, more unknown movies of these directiors like The Conversation (a film that taught me the value and importance of sound-mixing), Rumble Fish (my first glance into surrealism / expressionism) or Duck, You Sucker ! which was the first movie that I watched that got a message through to me about genuine class struggle and the futility of revolutions though history. Apocalypse Now made me realize and think about for the first time in my life what philosophy is all about. Once Upon a Time in the West made me understand why people like the opera. Something I never understood prior to watching this movie. When I was watching Once Upon a Time in the West for the third or fourth time it finally struck me, that, by all means, I was watching (and enjoying !) what was essentially an opera on film. And finally, Once Upon a Time in America, which I first saw at the age of 24 or 25, for the first time in my life made me think about topics such as true lasting friendships, the passing of time, missed opportunities, my own inevitable mortality, one-sided love and bitter regrets.
And so films, my primary hobby as of today, HAVE definitely had a big influence on how I look at the world, who I am and how I think about certain things. And for that, I will be forever grateful.
submitted by SovietBrotkasten to CasualConversation [link] [comments]

Ghost Adventures Episodes in Chronological Order

Unfortunately there's no 100% agreed list of GA seasons and there never was one. Various platforms and Travel Channel affiliates provide contradictory episode listings. It was discussed numerous times over the years, recently we had yet another discussion on the matter. Somebody asked me on PM if I can share with them the chronological listing I've been using, so I've decided to post it here as well. Keep in mind this is not an "official" list, but it's a recommended one if you want to binge watch the whole show from beginning to end or if you're a new fan looking for specific episodes.
This is a list of Ghost Adventures episodes in order based on the original air date. I've been keeping it since I began watching the show during the first season and it mostly overlaps with the wikipedia listing, and a few other season lists. It includes every single episode, including all specials and compilation episodes. "Extra Pulses" are not added since there is no additional content compared to the original episodes. For the first 7 or so seasons this is how The Travel Channel listed their seasons before they nuked their site and started grouping them by production date and not air date. A few things of note:
Season 1
Start: October 17, 2008
End: December 5, 2008
Season 2
Start: June 5, 2009
End: July 24, 2009
  • Preston Castle
  • Castillo de San Marcos
  • La Purisima Mission
  • Magnolia Lane Plantation
  • Birdcage Theater
  • Eastern State Penitentiary
  • Moon River Brewery
  • Ancient Ram Inn
Season 3
Start: October 30, 2009
End: January 22, 2010
  • Trans-Allegheny Lunatic Asylum LIVE (Halloween Special Episode)
  • Trans-Allegheny Lunatic Asylum LIVE: Post Mortem (Special Highlights Episode)
  • Pennhurst State School and Hospital
  • Poveglia Island
  • Ohio State Reformatory
  • Remington Arms Factory
  • Washoe Club and Chollar Mine
  • Linda Vista Hospital
  • Execution Rocks Lighthouse
  • Prospect Place
  • Clovis Wolfe Manor
  • Trans-Allegheny Lunatic Asylum LIVE: The Cutdown (Special Behind the Scenes Episode)
  • Poveglia Island Special (Special Episode with 30 minutes of additional footage)
Season 4
Start: September 10, 2010
End: June 10, 2011
  • Best Evidence (Compilation Special Episode)
  • Scariest Moments (Compilation Special Episode)
  • Gettysburg
  • Rolling Hills Asylum
  • Return to Bobby Mackey's Music World
  • Waverly Hills Sanatorium
  • Stanley Hotel
  • Hill View Manor
  • Vulture Mine
  • USS Hornet
  • La Palazza Mansion
  • Fort Chaffee
  • Amargosa Opera House
  • Old Fort Erie
  • Villisca Axe Murder House
  • Kell's Irish Pub
  • Pico House Hotel
  • Return to Goldfield Hotel
  • Bonnie Springs Ranch
  • Longfellow's Wayside Inn (Valentine's Day Special Episode)
  • Salem Witch House
  • Jerome Grand Hotel
  • Yorktown Hospital
  • Madame Tussaud's Wax Museum
  • Sacramento Tunnels
  • Hales Bar Marina and Dam
  • Kentucky Slave House
  • Tooele Hospital
  • Loretta Lynn's Plantation House
Season 5
Start: September 23, 2011
End: December 16, 2011
  • Ashmore Estates
  • Mizpah Hotel
  • Old Town San Diego
  • Winchester Mystery House
  • Lizzie Borden House
  • Letchworth Village
  • Return to Virginia City
  • Rocky Point Manor
  • Rose Hall
  • Old Charleston Jail
Season 6
Start: February 24, 2012
End: July 20, 2012
  • Horror Hotels and Deadliest Hospitals (Compilation Special Episode)
  • Wickedest Women, Houses of Terror and Bloodiest Battlefields (Compilation Special Episode)
  • Shanghai Tunnels
  • Peabody-Whitehead Mansion
  • Copper Queen Hotel and The Oliver House
  • The National Hotel
  • Return to Linda Vista Hospital
  • The Galka Family
  • The Riviera Hotel
  • Hellfire Caves (Special Episode)
  • Fort Horsted (Special Episode)
Season 7
Start: September 14, 2012
End: April 19, 2013
  • Central Unit Prison
  • Excalibur Nightclub
  • Point Sur Lighthouse
  • The Palmer House Hotel
  • Black Moon Manor
  • Sedamsville Rectory
  • Cripple Creek
  • Dead Men Walking (Compilation Special Episode)
  • Brookdale Lodge
  • Tor House
  • Union Station
  • Death By Wild West (Compilation Special Episode)
  • Crazy Town
  • Clinically Dead (Compilation Special Episode)
  • Killer Nightlife (Compilation Special Episode)
  • Do Not Disturb (Compilation Special Episode)
  • Home Sweet Hell (Compilation Special Episode)
  • Wyoming Frontier Prison
  • Sailors' Snug Harbor
  • Passport to Hell (Compilation Special Episode)
  • Dungeons and Demons (Compilation Special Episode)
  • Bewitched and Bothered (Compilation Special Episode)
  • Obsessions and Possessions (Compilation Special Episode)
  • New Orleans
  • Market Street Cinema
  • Armies of Darkness (Compilation Special Episode)
  • First Timers (Compilation Special Episode)
  • Goldfield Hotel Redemption
  • Glen Tavern Inn
  • King's Tavern
Season 8
Start: August 16, 2013
End: November 15, 2013
  • Pioneer Saloon
  • Black Swan Inn
  • Tuolumne Hospital
  • Missouri State Prison
  • Yost Theater and Ritz Hotel
  • Haunted Victorian Mansion
  • Up Close and Personal (Compilation Special Episode)
  • Exorcist House
  • Alcatraz
  • Mustang Ranch
  • Thornhaven Manor
  • Transylvania (Halloween Special Episode)
  • Battle of Perryville
Season 9
Start: February 15, 2013
End: July 12, 2013
  • Sharon Tate Ghost
  • The Myrtles Plantation
  • George Washington Ghost
  • Bannack Ghost Town
  • Fear Factory
  • Heritage Junction
  • Battle of Los Angeles
  • Netherworld: Paris Catacombs (Special Episode featuring only Zak, aired in the middle of the season)
  • St. James Hotel
  • Fox Hollow Farm
  • Haunted Savannah
  • Overland Hotel and Saloon
  • Old Licking County Jail
Season 10
Start: October 4, 2014
End: March 7, 2015
  • Queen Mary
  • Lemp Mansion and Brewery
  • Zozo Demon (Nick's last regular episode)
  • Island of the Dolls (in the og edit it was mentioned Nick couldn't make it for filming)
  • Ireland's Celtic Demons (Halloween Special Episode, Nick's last appearance as part of the GAC)
  • Bell Witch Caves (new intro, Jay and Bill introduced as permanent GAC investigators)
  • Sallie House
  • Nopeming Sanatorium
  • Apache Junction
  • Return to Tombstone
  • Demons in Seattle
  • Texas Horror Hotel
Season 11
Start: August 22, 2015
End: November 7, 2015
  • Edinburgh Manor
  • Old Montana State Prison
  • Manresa Castle
  • Old Lincoln County Hospital
  • Haunted Harvey House
  • Los Coches Adobe
  • Grand Canyon Caverns
  • Haunted Hollywood
  • Odd Fellows Asylum
  • Clown Motel and Goldfield High School
  • Deadwood: City of Ghosts (Halloween Special Episode)
  • Lava Hotel Springs Inn
Season 12
Start: January 30, 2016
End: August 6, 2016
  • Black Dahlia House
  • Secret Scientology Lab
  • Bracken Fern Manor
  • Return to the Riviera
  • Chinese Town of Locke
  • Star of India
  • Leslie's Family Tree Restaurant
  • Hell Hole Prison
  • The Domes
  • Nevada State Prison
  • Return to Winchester Mystery House
  • Stardust Ranch
  • The Haunted Museum
Season 13
Start: September 24, 2016
End: January 14, 2017
  • Colorado Gold Mine
  • Mackay Mansion
  • Palace Saloon
  • Reseda House of Evil
  • Dorothea Puente Murder House
  • Route 666 (Halloween Special Episode)
  • Hotel Metlen
  • St. Ann's Retreat
  • Twin Bridges Orphanage
  • Dumas Brothel
  • Zalud House
  • Dakota's Sanatorium of Death
  • De Soto Hotel and Concordia Cemetery (Spliced Part 1 of the Route 666 Halloween Special)
  • Goatman's Bridge (Spliced Part 2 of the Route 666 Halloween Special)
Season 14
Start: March 25, 2017
End: July 15, 2017
  • Stone Lion Inn
  • Freak Show Murder House
  • Samaritan Cult House
  • Double Eagle Restaurant
  • Silent Movie Theater
  • Exorcism in Erie
  • Skinwalker Canyon
  • Upper Fruitland Curse
  • Witches in Magna
  • The Viper Room
  • Asylum 49
Season 15
Start: September 23, 2017
End: January 13, 2018
  • Golden Ghost Town
  • Ogden Possession
  • Haunting of Vicksburg: Mcraven Mansion (Special Episode)
  • Haunting of Vicksburg: Demons and Dolls (Special Episode)
  • Haunting of Vicksburg: Spirits Under Siege (Special Episode)
  • Haunting of Vicksburg: Champion Hill Battlefield (Special Episode)
  • Museum of Madness (Halloween Special Episode)
  • Annabelle's Curse (Halloween Special Episode)
  • Albion Normal School
  • Museum of the Mountain West
  • Pythian Castle
  • The Titanic Museum
  • Wolf Creek Inn
  • Eureka Mining Town
  • Sin City Exorcism
  • Phelps Dodge Hospital
  • The Slaughter House
Season 16
Start: March 24, 2018
End: July 14, 2018
  • Ripley's Believe It or Not
  • The Alley of Darkness
  • Kennedy Mine
  • Old Gila County Jail and Courthouse
  • Hotel Leger
  • Enchanted Forest
  • The Washoe Club Final Chapter
  • Lewis Flats School
  • Kay's Hollow
Season 17
Start: October 6, 2018
End: January 12, 2019
  • Graveyard of the Pacific: Astoria Underground (Special Episode)
  • Graveyard of the Pacific: Norblad Hostel (Special Episode)
  • Graveyard of the Pacific: Commander's House (Special Episode)
  • Graveyard of the Pacific: Cape Disappointment (Special Episode)
  • The Haunted Museum LIVE (Halloween Special Episode)
  • Idaho State Reform School
  • Westerfield House
  • Crisis in Oakdale
  • Tintic Mining District
  • Terror in Fontana
  • Riverside Plane Graveyard
  • Curse of the River Bend: Mineral Springs Hotel (Special Episode)
  • Curse of the River Bend: McPike Mansion (Special Episode)
Season 18
Start: February 23, 2019
End: July 20, 2019
  • Gates of Hell House
  • Palomino Club
  • Lutes Casino
  • Melrose Hotel
  • Binions Hotel and Casino
  • The Woodbury
  • Crescent Hotel
  • St. Ignatius Hospital
  • Mount Wilson Ranch
  • Panic in Amarillo
  • Union Hotel
  • Idaho State Tuberculosis Hospital
  • A Haunting in Scottsdale
Season 19
Start: October 5, 2019
  • Serial Killer Spirits: H. H. Holmes Murder House (Special Episode)
  • Serial Killer Spirits: John Gacy Prison (Special Episode)
  • Serial Killer Spirits: Axe Killer Jail" (Special Episode)
  • Serial Killer Spirits: Ted Bundy Ritual House (Special Episode)
  • Curse of the Harrisville Farmhouse (Halloween Special Episode)
  • Albion Castle
  • Cerro Gordo Ghost Town
  • Pasadena Ritual House
  • Horror in Biggs
  • Franklin Castle
  • Union Brewery of Death
  • Nightmare in Antelope
  • Goodwin Home Invasion
  • Haunted Hollow Forest
  • The Chinatown Poltergeist
  • Beneath the Bonanza
submitted by bigballsbuchanan to GhostAdventures [link] [comments]

Sharon Stone is the Villain in Casino.

Once I saw that Pesci won the Best Villain for Casino I couldn’t believe it. Sharon Stone has a 100% the villain in this movie. De Niro tries his best to play it straight and change his life. Pesci is the bad influence and by all means a pretty horrible human being. But considering the plot of the movie, in that context, she is a villain.
submitted by loriba1timore to unpopularopinion [link] [comments]

Mega eTextbooks release thread (part-1)! Find your textbooks here between $5-$25 :)

Please find the list below:
  1. 5 lb. Book of ACT Practice Problems: Manhattan Prep
  2. Java Illuminated, 4th Edition: Julie Anderson & Hervé J. Franceschi
  3. Business Anthropology, 2nd Edition: Ann T. Jordan
  4. HTML5 and CSS3, Illustrated Complete, 2nd Edition: Sasha Vodnik
  5. BTEC Level 3 National IT Student Book 1 (BTEC National for IT Practitioners): Karen Anderson et al
  6. BTEC Level 3 National IT Student Book 2 (BTEC National for IT Practitioners): Karen Anderson et al
  7. Fundamentals of Nursing, 9th Edition: Patricia A. Potter & Anne Griffin Perry & Patricia Stockert & Amy Hall
  8. Financial Instruments: Equities, Debt, Derivatives, and Alternative Investments: David M. Weiss
  9. Davis's Drug Guide for Nurses, 15th Edition: April Hazard Vallerand & Cynthia A Sanoski & Judith Hopfer Deglin
  10. Nursing Diagnosis Handbook: An Evidence-Based Guide to Planning Care, 11th Edition: Betty J. Ackley & Gail B. Ladwig & Mary Beth Flynn Makic
  11. Time Series and Panel Data Econometrics: M. Hashem Pesaran
  12. Pocket Companion for Physical Examination and Health Assessment (Jarvis, Pocket Companion for Physical Examination and Health Assessment), 6th Edition: Carolyn Jarvis
  13. Federal Taxation of Estates, Trusts and Gifts: Cases, Problems and Materials, 4th Edition: Ira Mark Bloom & Kenneth F. Joyce
  14. Management and Cost Accounting, 6th Edition: Alnoor Bhimani & Charles T. Horngren & Srikant M. Datar & Madhav Rajan
  15. Power System Analysis and Design (Activate Learning with these NEW titles from Engineering!), 6th Edition: J. Duncan Glover & Thomas Overbye & Mulukutla S. Sarma
  16. Android Boot Camp for Developers Using Java, 3rd Edition: A Guide to Creating Your First Android Apps: Corinne Hoisington
  17. Spanish B for the IB Diploma Student's Book (IBS): Sebastian Bianchi & Mike Thacker
  18. Introduction to Computing and Programming in Python, Global Edition: Mark J. Guzdial & Barbara Ericson
  19. Business English, 12th Edition: Mary Ellen Guffey & Carolyn M. Seefer
  20. Strategic Management: A Competitive Advantage Approach, Concepts and Cases, Global 16th Edition: Fred R. David & Forest R. David
  21. Bibliometrics and Research Evaluation: Uses and Abuses (History and Foundations of Information Science): Yves Gingras
  22. Understanding and Negotiating EPC Contracts, Volume 1: The Project Sponsor's Perspective: Howard M. Steinberg
  23. IB Economics: Study Guide (International Baccalaureate), 2nd Edition: Constantine Ziogas
  24. Subscription Marketing: Strategies for Nurturing Customers in a World of Churn: Anne Janzer
  25. Derivatives: A Guide to Alternative Investments: David M. Weiss
  26. GPU Programming in MATLAB, 1st Edition: Nikolaos Ploskas & Nikolaos Samaras
  27. Solid State Electronic Devices, Global 7th Edition: Ben Streetman & Sanjay Banerjee
  28. Enhancing Children's Cognition With Physical Activity Games: Phillip Tomporowski & Bryan McCullick & Catherine Pesce
  29. The Science of Nutrition, 4th Edition: Janice J. Thompson & Melinda Manore & Linda Vaughan
  30. Medical-Surgical Nursing Made Incredibly Easy!, 4th Edition: LWW
  31. IB Spanish B (International Baccalaureate): Ana Valbuena & Suso Rodriguez-Blanco
  32. IB Physics Study Guide 2014 (Ib Diploma Program), 2014 edition: Tim Kirk
  33. IB Physics Course Book 2014 (International Baccalaureate), 2014 edition: Michael Bowen-Jones & David Homer
  34. Physics for the IB Diploma Second Edition (-), 2nd Edition: John Allum
  35. Fundamentals of Nursing, 9th Edition: Patricia A. Potter & Anne Griffin Perry & Patricia Stockert & Amy Hall
  36. Cracking the AP Calculus BC Exam, 2017 Edition: Proven Techniques to Help You Score a 5 (College Test Preparation): Princeton Review
  37. The Essential World History, Volume I: To 1800, 8th Edition: William J. Duiker & Jackson J. Spielvogel
  38. The Medical School Admissions Guide: A Harvard MD's Week-by-Week Admissions Handbook, 2nd Edition: Suzanne M. Miller
  39. Business Communication Essentials, Global 7th Edition: Courtland L. Bovee & John V. Thill
  40. A Pocket Guide to Public Speaking, 5th Edition: Dan O'Hair & Hannah Rubenstein & Rob Stewart
  41. A Pocket Guide to Public Speaking, 5th Edition: Dan O'Hair & Hannah Rubenstein & Rob Stewart
  42. Economics (McGraw-Hill Series in Economics), 20th Edition: McConnell
  43. Manager's Guide to Excellence in Public Relations and Communication Management (Routledge Communication Series): David M. Dozier & Larissa A. Grunig & James E. Grunig
  44. Organic Chemistry, 6th Edition: Marc Loudon & Jim Parise
  45. Research Methods for the Behavioral Sciences, 2nd Edition: Gregory J. Privitera
  46. Social Psychology (MindTap for Psychology), 10th Edition: Saul Kassin & Steven Fein & Hazel Rose Markus
  47. Python Playground: Geeky Projects for the Curious Programmer: Mahesh Venkitachalam
  48. SAT Premier 2017 with 5 Practice Tests: Kaplan
  49. Barron's NEW SAT, 28th edition (Barron's Sat (Book Only)): Sharon Weiner Green M.A. & Ira Wolf Ph.D. & Brian W. Stewart M.Ed.
  50. Research Methods, Design, and Analysis (12th Edition): Larry B. Christensen & R. Burke Johnson & Lisa A. Turner
  51. Trigonometry, 11th Edition: Margaret L. Lial & John Hornsby
  52. Discovering the Essential Universe, 6th Edition: Neil F. Comins
  53. Small Business Management: Launching & Growing Entrepreneurial Ventures, 18th Edition: Justin G. Longenecker & J. William Petty & Leslie E. Palich & Frank Hoy
  54. Principles of Econometrics, 4th Edition: R. Carter Hill & William E. Griffiths & Guay C. Lim
  55. Games, Strategies, and Decision Making, Second Edition: Joseph E. Harrington
  56. Community Policing, 7th Edition: Partnerships for Problem Solving: Linda S. Miller & Kären M. Hess & Christine M.H. Orthmann
  57. Police Administration: Structures, Processes, and Behavior, 8th Edition: Charles R. Swanson & Leonard J. Territo & Robert E. Taylor
  58. Life-Span Development, 16th Edition: John Santrock
  59. Understanding Movies, 13th Edition: Giannetti, Louis D
  60. SAT Premier 2017 with 5 Practice Tests: Online + Book + Video Tutorials (Kaplan Test Prep): Kaplan
  61. Separation of Powers in Practice: Tom Campbell
  62. Television Criticism, 3rd Edition: Victoria J. O'Donnell
  63. Research Methods in Practice: Strategies for Description and Causation, 2nd Edition: Dahlia K. Remler & Gregg G. Van Ryzin
  64. An R Companion to Applied Regression, 2nd Edition: John Fox Jr. & Harvey Sanford Weisberg
  65. Fundamentals of Biostatistics, 8th Edition: Bernard Rosner
  66. Biochemistry: A Short Course, 3rd Edition: John L. Tymoczko & Jeremy M. Berg & Lubert Stryer
  67. Principles of Marketing, Global 17th Edition: Philip Kotler & Gary Armstrong
  68. Management, 11th Edition: Ricky Griffin
  69. Tools for Business Decision Making, 8th Edition: P. Kimmel, J. Weygandt, and D. Kieso
  70. Access to Health, 14th Edition: Rebecca J. Donatelle & Patricia Ketcham
  71. Macroeconomics: Principles and Policy, 13th Edition: William J. Baumol & Alan S. Blinder
  72. Essentials of Genetics (8th Edition): William S. Klug & Michael R. Cummings & Charlotte A. Spencer & Michael A. Palladino
  73. Nutrition & You, 14th Edition: Joan Salge Blake
  74. New Perspectives Microsoft Office 365 & Access 2016: Intermediate: Mark Shellman & Sasha Vodnik
  75. Excellence in Business Communication, Global 12th Edition: John V. Thill & Courtland L. Bovee
  76. Krugman’s Economics for AP®, 2nd Edition: Margaret Ray & David Anderson & Paul Krugman & Robin Wells
  77. Fundamentals of Physics Extended, 10th Edition: David Halliday
  78. Statistics: Unlocking the Power of Data, First Edition: Robin H. Lock
  79. Experiencing the Lifespan, 4th Edition: Janet Belsky
  80. Georgia Politics in a State of Change, 2nd Edition: Charles S. Bullock & Ronald Keith Gaddie
  81. Experience Sociology, 2nd Edition: David Crouteau
  82. Foundations of Marketing, 7th Edition: William M. Pride & O. C. Ferrell
  83. Gardner's Art through the Ages, 4th Edition: A Concise Global History: Fred S. Kleiner
  84. Psychology in Action, 11th Edition: Karen Huffman & Katherine Dowdell
  85. Differential Equations and Linear Algebra, 3rd Edition: Stephen W. Goode & Scott A. Annin
  86. Organic Chemistry, Global 9th Edition: Leroy G. Wade & Jan W. Simek
  87. AWS Certified Solutions Architect Official Study Guide: Associate Exam: Joe Baron & Hisham Baz & Tim Bixler & Biff Gaut & Kevin E. Kelly & Sean Senior & John Stamper
  88. Brunner & Suddarth's Textbook of Medical-Surgical Nursing (Brunner and Suddarth's Textbook of Medical-Surgical), 13th Edition: Janice L. Hinkle & Kerry H. Cheever
  89. Budgets and Financial Management in Higher Education:Margaret J. Barr & George S. McClellan
  90. The Children of Eve: Population and Well-being in History: Louis P. Cain & Donald G. Paterson
  91. PRINCIPLES OF MICROECONOMICS, 6th Edition: ROBERT H. FRANK, BEN S. BERNANKE, KATE ANTONOVICS, ORI HEFFETZ , PER J. NORANDER
  92. Research Methods in Psychology: Evaluating a World of Information, 2nd Edition: Beth Morling
  93. The Practice of Statistics in the Life Sciences, 3rd Edition: Brigitte Baldi & David S. Moore
  94. International Trade, 3rd Edition: Robert C. Feenstra & Alan M. Taylor
  95. The Human Record: Sources of Global History, Volume I: To 1500, 7th Edition: Alfred J. Andrea & James H. Overfield
  96. Guide to Presentations, 4th Edition: Lynn Russell & Mary M. Munter
  97. The Human Services Internship, 4th Edition: Getting the Most from Your Experience: Pamela Myers Kiser
  98. Corporate Finance, 4th Edition: Core Principles and Applications (McGraw-Hill/Irwin Series in Finance, Insurance, and Real Est): Ross
  99. Exploring Microsoft Office Excel 2016 Comprehensive (Exploring for Office 2016 Series): Mary Anne Poatsy & Keith Mulbery & Jason Davidson & Robert Grauer
  100. Introduction to Geographic Information Systems, 8th Edition: Kang-tsung Chang
  101. Stats: Data and Models, Global 4 Edition: Richard D. De Veaux & Paul Velleman & David E. Bock
  102. Law Express: International Law, 2nd Edition: Stephen Allen
  103. Principles of International Economic Law, 2nd Edition: Matthias Herdegen
  104. M&F (New, Engaging Titles from 4LTR Press), Student Edition 3: David Knox
  105. International Trade: Theory and Policy, 10th Global Edition: Paul Krugman & Maurice Obstfeld & Marc Melitz
  106. Differential Equations as Models in Science and Engineering: Gregory Baker
  107. Adobe After Effects CC Classroom in a Book (2014 release): Andrew Faulkner & Brie Gyncild
  108. Principles of Evaluation and Research for Health Care Programs: Karen (Kay) M. Perrin
  109. Communicating for Results: A Guide for Business and the Professions, 10th Edition: Cheryl Hamilton
  110. Fundamentals of Financial Management, Concise 9th Edition: Eugene F. Brigham & Joel F. Houston
  111. The Fundamental 5: The Formula for Quality Instruction: Sean Cain & Mike Laird
  112. Basic Environmental Technology: Water Supply, Waste Management, and Pollution Control: Water Supply, Waste Management and Pollution Control, 6th Edition: Jerry A. Nathanson M.S. P.E. & Richard A. Schneider M.S. P.E.
  113. Introduction to Natural Language Semantics (Center for the Study of Language and Information - Lecture Notes): Henriette de Swart
  114. Cracking the SAT Premium Edition with 6 Practice Tests, 2017: The All-in-One Solution for Your Highest Possible Score (College Test Preparation): Princeton Review
  115. Autodesk Revit Architecture 2016 for Architects and Designers, 12th Edition: Prof. Sham Tickoo Purdue Univ. & CADCIM Technologies
  116. Critical Concepts: An Introduction to Politics, 5th Edition: Janine Brodie & Sandra Rein & Malinda S. Smith
  117. Shelly Cashman Series Microsoft Office 365 & Outlook 2016: Intermediate: Corinne Hoisington
  118. Differential Equations: Computing and Modeling (Edwards/Penney/Calvis Differential Equations), 5th Edition: C. Henry Edwards & David E. Penney & David Calvis
  119. Effective Teaching Methods: Research-Based Practice (What's New in Curriculum & Instruction), 9th Edition: Gary D. Borich
  120. Exploring Economics, 7th Edition: Robert L. Sexton
  121. Maternal-Child Nursing, 4th Edition: Emily Slone McKinney & Susan R. James & Sharon Smith Murray & Kristine Nelson & Jean Ashwill
  122. Foundations of Financial Management, 16th Edition: Stanley Block
  123. Understanding Art, 11th Edition: Lois Fichner-Rathus
  124. College Algebra with Modeling & Visualization, 5th Edition: Gary K. Rockswold
  125. Landmarks in Humanities, 4th Edition: Gloria Fiero
  126. The World of Music, 7th Edition: David Willoughby
  127. Managerial Decision Modeling with Spreadsheets: Pearson New 3rd International Edition: Nagraj Balakrishnan & Barry M. Render & Ralph M. Stair
  128. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies, 2nd Edition: Harry M. Benshoff & Sean Griffin
  129. The Business Writer’s Handbook (Business Writer's Handbook), 11th Edition: Gerald J. Alred & Charles T. Brusaw & Walter E. Oliu
  130. Behavior Modification in Applied Settings, 7th Edition: Alan E. Kazdin
  131. Calculus: Early Transcendentals: Michael Sullivan
  132. Operations Management: Sustainability and Supply Chain Management, 12th Edition: Jay Heizer & Barry Render & Chuck Munson
  133. Our Social World: Condensed, 4th Edition: Jeanne H. Ballantine & Keith A. Roberts & Kathleen Odell Korgen
  134. Mastering ArcGIS, 7th Edition: Maribeth Price
  135. Nutrition: Concepts and Controversies, 14th Edition: Frances Sizer & Ellie Whitney
  136. Market-Based Management, 6th Edition: Roger J. Best
  137. Sociology, 15th Edition: John J. Macionis
  138. Microeconomics, 7th Edition: Perloff
  139. The Norton Introduction to Literature (Shorter Twelfth Edition): Kelly J. Mays
  140. Shelly Cashman Series Microsoft Office 365 & Office 2016: Introductory: Misty E. Vermaat & Steven M. Freund & Corinne Hoisington & Eric Schmieder & Mary Z. Last
  141. Thematic Cartography and Geovisualization: Pearson New 3rd International Edition: Terry A. Slocum & Robert B McMaster & Fritz C Kessler & Hugh H Howard
  142. Language Files: Materials for an Introduction to Language and Linguistics, 12th Edition: Department of Linguistics
  143. Project Management: A Managerial Approach, 8th Edition: Jack R. Meredith & Samuel J. Mantel Jr.
  144. Intermediate Accounting, 16th Edition: Donald E. Kieso & Jerry J. Weygandt & Terry D. Warfield
  145. Digital Systems, 12th Edition: Ronald Tocci & Neal Widmer & Greg Moss
  146. Financial Management: Concepts and Applications: Stephen Foerster
  147. Social Problems: A Down to Earth Approach, 11th Edition: James M. Henslin
  148. Nutrition Counseling and Education Skill Development, 3rd Edition: Kathleen D. Bauer & Doreen Liou & Carol A. Sokolik
  149. Accounting Information Systems, 13th Edition: Marshall B. Romney & Paul J. Steinbart
  150. The Bedford Researcher, 5th Edition: Mike Palmquist
  151. The Legal and Regulatory Environment of Business, 17th Edition: Marisa Anne Pagnattaro & Daniel R. Cahoy & Julie Manning Magid & O. Lee Reed & Peter J. Shedd
  152. Ethical Obligations and Decision-Making in Accounting, 4th Edition: Text and Cases: Steven Mintz
  153. Introduction to Solid Modeling Using SolidWorks 2016: William Howard
  154. The Art of Public Speaking, 11th Edition: Stephen Lucas
  155. The Macro Economy Today, 13th Edition: Bradley R Schiller
  156. Social Problems, 6th Edition: John J. Macionis
  157. Macroeconomics: Theories and Policies (Pearson Series in Economics (Hardcover) 10th Edition: Richard T Froyen
  158. Calculus with Applications, Brief Version, 11th Edition: Margaret L. Lial & Raymond N. Greenwell & Nathan P. Ritchey
  159. HIST4, Volume 2: Kevin M. Schultz
  160. Earth: An Introduction to Physical Geology, 12th Edition: Edward J. Tarbuck & Frederick K. Lutgens & Dennis Tasa
  161. Essentials of Oceanography, 12th edition: Alan P. Trujillo & Harold V. Thurman
  162. Statistics for the Behavioral Sciences 9th Edition: Frederick J Gravetter
  163. Abnormal Psychology: An Integrative Approach, 7th ed.: David H. Barlow, V. Mark Durand
  164. Obsessive-Compulsive and Related Disorders (Oxford Psychiatry Library), 2nd Edition: Samar Reghunandanan & Naomi A. Fineberg & Dan J. Stein
  165. Swift Programming: The Big Nerd Ranch Guide (Big Nerd Ranch Guides), 2nd Edition: Mathias,Matthew & Gallagher,John
  166. Front-End Web Development: The Big Nerd Ranch Guide: Chris Aquino & Todd Gandee
  167. iOS Programming: The Big Nerd Ranch Guide (Big Nerd Ranch Guides), 6th Edition: Keur,Christian & Hillegass,Aaron
  168. Marketing Communications (Expo), 7th Edition: Chris Fill & Sarah Turnbull
  169. U.S.-Chinese Relations, 2nd Edition: Perilous Past, Pragmatic Present: Robert G. Sutter
  170. The Economics of Money, Banking and Financial Markets, Global 11th Edition: Frederic S. Mishkin
  171. Financial Statement Analysis and Security Valuation, 5h Edition: Stephen H. Penman
  172. Applied Linear Regression, 4th Edition: Sanford Weisberg
  173. Mastering pfSense: David Zientara
  174. Discourse in Context: Contemporary Applied Linguistics Volume 3
  175. Virtualization Complete: Business Basic Edition (Proxmox-freeNAS-Zentyal-pfSense): Lee R. Surber
  176. The Psychology of Advertising, 2nd Edition: Bob M. Fennis & Wolfgang Stroebe
  177. World Politics: Interests, Interactions, Institutions (3rd International Student Edition): Jeffry A. Frieden & David A. Lake & Kenneth A. Schultz
  178. Business Law, 13th Edition: Text and Cases
  179. Give Me Liberty! An American History, Brief Fourth Edition, Volume One: Eric Foner
  180. Management Information Systems, 7th Edition: Ken J. Sousa & Effy Oz
  181. Problem Solving Cases In Microsoft Access and Excel, 14th Edition: Ellen Monk & Joseph Brady & Emillio Mendelsohn
  182. CFIN (New, Engaging Titles from 4LTR Press): Scott Besley & Eugene Brigham
  183. Inventing Arguments, Brief (Inventing Arguments Series), 4th Edition: John Mauk & John Metz
  184. Systems Analysis and Design (Shelly Cashman Series), 11th Edition: Scott Tilley & Harry J. Rosenblatt
  185. Microsoft Visual Basic 2015 for Windows, Web, Windows Store, and Database Applications: Comprehensive: Corinne Hoisington
  186. Marketing: An Introduction, Global 13th Edition: Gary Armstrong & Philip Kotler & Marc Oliver Opresnik
  187. Starting Out with Java from Control Structures through Data Structures: From Control Structures through Data Structures, 3rd Edition: Tony Gaddis & Godfrey Muganda
  188. The Legal Environment Today (Miller Business Law Today Family), 8th Edition: Roger LeRoy Miller & Frank B. Cross
  189. Foundations of American Education (What's New in Foundations / Intro to Teaching), 8th Edition: L. Dean Webb & Arlene Metha
  190. Object-Oriented Data Structures Using Java, 4th Edition: Nell Dale & Daniel T. Joyce & Chip Weems
  191. Hollywood's America: Understanding History Through Film, 5th Edition: Steven Mintz & Randy W. Roberts & David Welky
  192. Discover Sociology, 2nd Edition: William J. Chambliss & Daina S. Eglitis
  193. World Regions in Global Context: Peoples, Places, and Environments, 6th Edition: Sallie A. Marston & Paul L. Knox & Diana M. Liverman & Del Casino, Vincent, Jr. & Paul F. Robbins
  194. Horngren's Financial & Managerial Accounting, The Managerial Chapters, Global 5th Edition: Tracie L. Miller-Nobles & Brenda L. Mattison & Ella Mae Matsumura
  195. Auditing: A Risk Based-Approach to Conducting a Quality Audit, 10th Edition: Karla Johnstone & Audrey Gramling & Larry E. Rittenberg
  196. Food Around the World: A Cultural Perspective, 4th Edition: Professor Margaret Emeritus McWilliams Ph.D. R.D.
  197. Edexcel AS/A level Business 5th edition Student Book: Dave Hall & Carlo Raffo & Dave Gray & Alain Anderton & Rob Jones
  198. The Practice of Qualitative Research: Engaging Students in the Research Process, 3rd Edition: Sharlene Nagy Hesse-Biber
  199. Mosby’s Exam Review for Computed Tomography, 2nd Edition: Daniel N. DeMaio
  200. Sectional Anatomy for Imaging Professionals, 3rd Edition: Lorrie L. Kelley & Connie Petersen
  201. Workbook for Sectional Anatomy for Imaging Professionals, 3rd Edition: Lorrie L. Kelley & Connie Petersen
  202. LANGE Review: Computed Tomography Examination: Sharlene M. Snowdon
  203. Psychology, 3rd Edition: Daniel L. Schacter & Daniel T. Gilbert & Daniel M. Wegner & Matthew K. Nock
  204. Essentials of Investments (The Mcgraw-Hill/Irwin Series in Finance, Insurance, and Real Estate), 10th Edition: Zvi Bodie
  205. Management Information Systems for the Information Age, 9th Edition: Stephen Haag & Maeve Cummings
  206. Geographic Information Science and Systems, 4th Edition: Paul A. Longley & Michael F. Goodchild & David J. Maguire & David W. Rhind
  207. Biochemistry Concepts and Connections: Dean R. Appling
  208. Current Issues and Enduring Questions, 10th Edition: Sylvan Barnet & Hugo Bedau
  209. Roach's Introductory Clinical Pharmacology, 10th Edition: Ford, Susan M. & Roach, Sally S.
  210. Investment Banking: Valuation, Leveraged Buyouts, and Mergers and Acquisitions (Wiley Finance), 2nd Edition: Joshua Pearl & Joshua Rosenbaum
  211. Introduction to Human Factors Engineering: Pearson New International Edition: Christopher D. Wickens & John Lee & Yili D. Liu & Sallie Gordon-Becker
  212. Documentation for Rehabilitation: A Guide to Clinical Decision Making in Physical Therapy, 3rd Edition: Lori Quinn & James Gordon
  213. Readings to Accompany Experience Humanities Volume 2: Roy Matthews & DeWitt Platt
  214. Iceland’s Financial Crisis: The Politics of Blame, Protest, and Reconstruction (Routledge Advances in European Politics): Philippe Urfalino & Irma Erlingsdóttir Valur Ingimundarson
  215. Operations Management: An Integrated Approach, 6th Edition: R. Dan Reid & Nada R. Sanders
  216. New Perspectives Microsoft Office 365 & Access 2016, Introductory: Mark Shellman & Sasha Vodnik
  217. Pharmacology for Nurses: A Pathophysiologic Approach, 5th Edition: Michael Patrick Adams & Norman Holland & Carol Urban
  218. The Structure of Argument, Eighth Edition: Annette Rottenberg & Donna Haisty Winchell
  219. Getting Noticed: A No-Nonsense Guide to Standing Out and Selling More for Momtrepreneurs Who 'Ain't Got Time for That': Lindsay Teague Moreno
  220. Contemporary Logistics, 11th Edition: Paul R. Murphy Jr. & Donald Michael Wood
  221. A Survey of Mathematics with Applications, 10th Edition: Allen R. Angel & Christine D. Abbott & Dennis C. Runde
  222. The Bedford Handbook, 10th Edition: Hacker. Diana & Nancy Sommers
  223. Motor Control: Translating Research into Clinical Practice, 5th Edition: Anne Shumway-Cook & Marjorie H. Woollacott
  224. New A-Level Physics: Essential Maths Skills: CGP Books
  225. Integrated Advertising, Promotion, and Marketing Communications, Global 7th Edition: Kenneth E. Clow & Donald E Baack
  226. Microeconomics: Principles and Policy, 13th Edition: William J. Baumol & Alan S. Blinder
  227. Child Development and Education (6th Edition): Teresa M. McDevitt & Jeanne Ellis Ormrod
  228. Money, Banking and Financial Markets, 5th Edition: Kermit Cecchettim Stephen; Schoenholtz
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  347. College Mathematics for Business, Economics, Life Sciences and Social Sciences, Global 13th Edition: Raymond A. Barnett & Michael R. Ziegler & Karl E. Byleen
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Sharon Stone in bikini - YouTube Casino 1995 Trailer HD  Robert De Niro  Sharon Stone ... Casino 1995  Filming Locations  Robert de Niro, Sharon Stone, Martin Scorsese Casino - Ginger Trashes Ace's Yard (1080p) - YouTube Casino (1995) Ginger come back home without money - YouTube Basic Instinct 3  Full Hindi Dubbed Hollywood Movie ... Casino (4/10) Movie CLIP - For Ginger, Love Costs Money ... Casino- Sharon Stone - YouTube That Movie Show- 'Casino' (1995) - YouTube

BEST MOVIE Casino (1995) WORST MOVIE Catwoman (2004) Sharon Stone is an American actress who gained recognition for her roles on the television miniseries 'War and Remembrance' (1989) and in the science-fiction action film 'Total Recall' (1990). She became an international sex symbol for portraying Catherine Tramell in the erotic thriller 'Basic Instinct' (1992), which earned her a 'Golden ... Alles erdenkliche wieviel du letztendlich zum Thema Sharon stone 1995 erfahren wolltest, erfährst du auf dieser Seite - sowie die besten Sharon stone 1995 Tests. Um den qualitativen Differenzen der Produkte genüge zu tun, testen wir eine Vielzahl von Faktoren. Zuletzt konnte sich im Sharon stone 1995 Test nur unser Gewinner behaupten. Der Gewinner hängte Anderen ab. Robert DeNiro with Sharon Stone wearing Bulgari earrings and a beaded gold gown in ‘Casino.’ Photo Universal Pictures Photo Universal Pictures The lavish budget given to the costume designers for the movie, Rita Ryack and John Dunn, was reputedly $1-million dollars—in 1990s dollars. Yup, the budget only for costumes in the Casino movie was about $1m. Sharon Stone had around 40 different outfits in this movie, while Robert De Niro changed different 70 costumes during the filming. The interesting facts were that after the shooting was over, they both were allowed to keep their outfits. #7 The scene of Casino being demolished at the end is real footage . Dunes casino and ... Casino ist ein Drama aus dem Jahr 1995 von Martin Scorsese mit Robert De Niro, Sharon Stone und Joe Pesci.. Martin Scorseses Mafiadrama Casino zeigt die Mafia im schillernden Las Vegas der frühen ... Mar 3, 2013 - Explore JenAbramsStyle's board "Casino", followed by 116 people on Pinterest. See more ideas about casino, sharon stone, casino movie. Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive compete against each other over a gambling empire, and over a fast-living and fast-loving socialite. Casino ein Film von Martin Scorsese mit Robert De Niro, Sharon Stone. Inhaltsangabe: Las Vegas hat zwei Gesichter: das eine ist glamourös, das andere ist grausam. Sam "Ace" Rothstein (Robert De ... Casino's Ginger is a fully rounded woman who goes toe-to-toe with the mob – and she came to life in the greatest performance of Sharon Stone’s career. Casino (1995) Awards. Showing all 4 wins and 11 nominations. Academy Awards, USA 1996 Nominee Oscar: Best Actress in a Leading Role Sharon Stone: Golden Globes, USA 1996 Winner Golden Globe: Best Performance by an Actress in a Motion Picture - Drama Sharon Stone: Nominee Golden Globe: Best Director - Motion Picture Martin Scorsese: 20/20 Awards 2016 Winner Felix: Best Film Editing Thelma ...

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Sharon Stone in bikini - YouTube

It's Las Vegas Month on That Movie Show, so Mike and Liam decided to kick things off with the 1995 smash, CASINO. In early-1970s Las Vegas, low-level mobster... We M/S ASC Digital Have Non-Exclusive rights of this Movie From It's Actual Right Owner. All Contents Used In This Channel Are With Proper Legal Rights.Movie... Ginger goes into a catergory-five, coked up junkie meltdown. All rights reserved to Universal Pictures. Casino 1995 Greed, deception, money, power, and murder occur between two best friends: a mafia underboss and a casino owner, for a trophy wife over a gamblin... Casino movie clips: http://j.mp/1JbOasmBUY THE MOVIE: http://amzn.to/u3En6FDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:It is l... Clip de la película " $5 a Day (2008) " Fragmento de la Pelicula "Casino", escena en la cual actua Sharon Stone jugando Craps.... muy buena pelicula.... About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators ... Filming Locations of the movie "Casino" from Martin Scorsese with Robert de Niro, Sharon Stone and Joe Pesci as main actors. It was mainly filmed in Las Vegas. I do not own the movie or the music ...

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