Casino of Monte-Carlo (Monte Carlo) - Aktuelle 2021 ...

Frozen with indecision. What should I have done?

Fairly new to poker, played low stakes online for about a year and have been going to my local casino about once a week. First time posing a hand breakdown so bear with me.
8 handed playing 1/3. UTG: (tight player, 220 stack) raises to 15 Hero/UTG+2: (800 stack) call with 6s8s Button: (been going through some crazy swings, 600 stack) call
Flop: 4s5s4d
UTG: bet 25 Hero: call Button: raise to 100 UTG: fold
I have no idea what to do....
For more context it’s late like 2:30am, I know I shouldn’t be results oriented but I’m up 500 and really don’t want to stack off cause I’ve lost my last 3 sessions.
There’s a “Monty Carlo” promotion that pays out $450 for hitting a straight flush
I tank for what feels like forever, Button gets frustrated and calls clock on me (he’s been kind of a dick and calling the clock a lot so I wasn’t surprised). I am just frozen and end up folding.
Any advice?
Edit: after thinking about it, I’m crushed by everything regardless and this was a stupid post. I was just hype about a decent session and this hand made me think the most so I felt like sharing when I got home. Thanks everyone.
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List of Professional Critics' Criticisms of TLJ

Part 1/3: https://www.reddit.com/saltierthancrait/comments/a7tzug/critics_criticisms_part_i_humo
Part 2/3: https://www.reddit.com/saltierthancrait/comments/a91mnv/critics_criticisms_part_ii_canto_bight/
Part 3/3: https://www.reddit.com/saltierthancrait/comments/aahmu6/critics_criticisms_part_iii_length/

Part 1/3

Critic's Criticisms Part I: Humor

A few months ago I completed a read through of all ~400 TLJ reviews on RT(now up to ~415). It was painfully boring at times, but that's salt mining for you. I wanted to get a handle on the critical reception which is commonly cited as universal praise. While it's generally true that critics loved TLJ, they also had some criticisms that would be right at home here at STC, and these come from super experienced and intellectual film critics, so they have to be valid, right? After all, these people know so much more about film than a layperson. They can fully evaluate a film on countless criteria that average fans don't comprehend. /s, but you see where I'm going here: many TLJ fans have put critics on a pedestal, as if their opinion is somehow more valuable as a baseline for TLJ's quality. So what about when critics are echoing our own criticisms of TLJ?
Almost every criticism we have lobbed at this movie was shared by at least a few critics, but there were three main criticisms that stood out as the most common. I'll start this series with humor in TLJ.
Peter Debruge, Variety -Fresh
Luke is funnier than we’ve ever seen him — a personality change that betrays how “Star Wars” has been influenced by industry trends. Though the series has always been self-aware enough to crack jokes, it now gives in to the same winking self-parody that is poisoning other franchises of late, from the Marvel movies to “Pirates of the Caribbean.” But it begs the question: If movies can’t take themselves seriously, why should audiences?
Harrison Ford was a good enough actor, and Han Solo an aloof enough character, that he could get away with it, but here, the laughs feel forced — as does the appearance of cuddly critters on each new planet.
Todd McCarthy, Hollywood Reporter -Fresh
General Hux, who's goofily played by Domhnall Gleeson as if he were acting in a Monty Pythonesque parody
Stephen Whitty, Newark Star-Ledger -Fresh
humor is not only prevalent but often turned, mockingly, on the self-serious mythology of the whole saga. Sometimes there are too many jokes; certainly there's an overabundance of cutesy aliens.
Niall Browne, Movies in Focus -Fresh
It’s Finn’s mission which takes the film off on a diversion where it didn’t really need to go. There’s a lot of comedic hijinks involved in all of this which George Lucas would have excised from the first draft of anything he ever wrote.
There’s more humour in The Last Jedi than previous Star Wars movies; some of it hits, some of it doesn’t. The much publicised Porgs work for a moment or two, but they outstay their welcome. The film drew to a halt too many times to show-odd cute creatures. I didn’t care for the crystal wolves during the climatic battle and the aforementioned space Llamas feel like they belong in a Disney movie (wait, this is a Disney movie!)
Rendy Jones, Rendy Reviews -Fresh
"The Last Jedi" is a movie that follows elements of other Star Wars movies that works on its own but feels so similar to a Marvel film because the first half of this movie is a comedy. Seriously a lot of the first half of the movie has a silly vibe amongst all the death and destruction that surrounds it. It desperately tries to be a parody of itself by making serious situations comedic.
Ruben Rosario, MiamiArtZine -Fresh
Much has also been made of “Jedi's” jarring tonal shifts. Johnson inserts broad humor, then abruptly makes things serious, then back again to goofy content.
Christopher Llewellyn Reed, Film Festival Today -Fresh
[Kylo's] partner in evil, Domnhall Gleeson, as General Hux, is less fine, though much of the problem stems not so much from the actor as from the tonally strange, abusively co-dependent relationship between the two men; their jokey rapport feels like it belongs in a very different movie.
Alex Doenau, Trespass -Fresh
However, from the beginning there’s a discordant sense of humour that’s somewhat counter to the series’ ethos to date: rather than funny situations rising organically in the script, many of the characters openly seem to be making jokes. It’s how we introduce Poe this go-round, and it feels slightly off.
Owen Richards, The Arts Desk -Fresh
There’s a surprising amount of comedy in the film, quite a bit at the expense of beloved characters or series law; it’s funny, but not respectful.
Tim Brayton , Alternate Ending -Rotten
The Last Jedi has an impressively poor batting average for its jokes: it opens with a vengefully dumb "I have a bad phone connection" bit that put me on the movie's bad side basically as soon as it had a side to be on, and it's not exactly all uphill from there.
James Kendrick, Q Network Film Desk -Fresh
Sometimes, however, his proclivities come at the film’s expense, such as his penchant for inserting quippy humor, sarcasm, and sight gags at odd times, which often undercuts the drama or simply smacks of too much effort.
Craig Takeuchi, Georgia Straight -Fresh
Weak points come with awkward humour that lacks comedic rhythm and an unnecessary casino escapade, where a disposable underworld character DJ (Benicio del Toro) is introduced, that subsequently soft lens into what is essentially a children's adventure tale about animals.
Rob Dean, Bullz-Eye.com -Fresh
Further pushing the disconnect is that the script is far too self-aware, constantly making the sort of jokes that nerds have been making about “Star Wars” for decades, as if it’s too cool to purely accept itself on its own merits. The comedy works about half the time, but there are a ton of jokes in this film that underscore all of the overly serious talk of hope that populates the movie.
Sonny Bunch, Washington Free Beacon - Rotten
Johnson tries too hard on the humor front. Just one, brief, example: The whole opening sequences involves Poe doing conference call shtick while trolling Admiral Hux (Domhnall Gleeson). It's weirdly un-Star-Wars in the sense that it feels like something you could see on any dreadful sitcom here on planet Earth; this sequence is more fit for The Big Bang Theory than a supposedly dark entry in the Star Wars canon. The Star Wars movies have always been funny, of course, and there are moments when Johnson makes it work in a Star-Wars-sort-of-way. On the whole, though, it feels desperate and forced.
Avi Offer, NYC Movie Guru - Rotten
Johnson's screenplay awkwardly blend action and drama with comedy and little bit of tacked-on romance. One particular scene involving an image that's not what it initially appears to be comes out of nowhere and feels like it belongs in a parody of Star Wars even though it does generate laughter.
Tom Glasson, Concrete Playground -Fresh
With more gags, one-liners and quirky moments than all the other Star Wars films combined, The Last Jedi introduces a levity to the staid franchise in the vein of Roger Moore's turn as post-Connery Bond. At times it works, even to the point of guffaws, but ultimately the humour feels misplaced. In a story where loss abounds and crushing defeat looms large at every turn, the repeated cutaways to doe-eyed porgs purring like extras from a Pixar film distract more than they entertain. So, too, does Domhnall Gleeson, whose character General Hux plays more like a parody of a Star Wars villain. As a result, both the New Order and the film itself are robbed of their most enduring menace: the Empire.
Brian Orndorf, Blu-ray.com -Fresh
In “The Last Jedi,” we watch Poe poke at Hux, who’s been turned into a buffoon for the new film, teasing him by faking communication issues and sharing an opinion about his mother. It’s the first of many awkward attempts at humor from Johnson, who isn’t known for funny business
Kevin McCarthy, WTTG-TV -Fresh
The first act of the film features major pacing issues combined with unnecessary comedic moments that ultimately hurt the tone of the film. Unfortunately, a lot of this comes from Mark Hamill’s Luke Skywalker character.
Jonathan W. Hickman, Daily Film Fix -Fresh
I found myself frustrated that the tone was comedy and sometimes almost veered into parody.
Everything else is jokes and comedic references with a side of cheese. I found myself shaking my head more than laughing along.
Ray Greene, CineGods.com - Rotten
But it also doesn’t feel quite right — the language, the iconography, the weirdly campy humor at the beginning — it doesn’t feel a part of the Star Wars universe.
Josh Bell, Las Vegas Weekly -Fresh
The less said about the awkward attempts at comic relief, the better.
Matt Looker, TheShiznit.co.uk -Fresh
the comedy - and there is plenty of it - is spread out more evenly across the whole cast. In the case of Domhnall Gleeson's Hux, this becomes a good opportunity to poke fun at the horribly hammy performance he gave in The Force Awakens. But when he is playing those laughs off against his only foil - Kylo Ren - Johnson threatens to undermine their status as epic villains.
Christian Toto, HollywoodInToto.com - Rotten
Johnson drops plenty of cutesy comic moments into the mix, some of which would make even George Lucas blush. What was passable in 1977 no longer flies as easily today. And a franchise as esteemed as this one deserves richer comic relief.
Mark Hughes, Forbes -Fresh
The first act's humor is the shakiest, with some gags seeming more like something out of a Star Wars satire. The tone and irreverence of it was out of place, and a couple of bits went on one or two beats too long.
Scott Menzel, We Live Entertainment -Fresh
Speaking of laughs, the jokes and humor just fall flat. The jokes seemed out of place or were just so “on the nose” that I couldn’t help but be annoyed by them. I feel like the modern day humor didn’t feel the tone of the story and yet Johnson kept trying to lighten the mood by adding in cheesy jokes that weren’t even remotely amusing but instead were rather cringe-worthy.
Kevin Jagernauth The Playlist -Fresh
In the pursuit of providing some buoyancy to the picture, Johnson wields comedy like a sword, but it’s unfortunately the weakest element of the film. “Star Wars” has always been home to plenty of cornball one liners, and comedic passages, but there’s a delicacy to how they’re employed and delivered that allows them to land….or simply fall flat. Far too often, it’s the latter outcome in this picture, with some of the laughs feeling underwritten or simply shoehorned in. There’s a distinct lack of cleverness to the wit employed here — think something as seemingly spontaneous as BB-8’s “thumbs up” in ‘The Force Awakens’ — and while the gags don’t grind the picture to a halt, there are certainly some awkward patches where the expected laughs don’t materialize.
Rob Hunter, Film School Rejects -Fresh
The film is a series of points both high and low, and it’s nowhere more clear than in the humor. Several beats work well to bring a smile, but others fall tone deaf to the carnage and pain surrounding them. From the very beginning Hux’s scenes are made to feel like lost reels from Mel Brooks’ Spaceballs, and poor Boyega can’t catch a break as Finn is saddled with lame one-liners at every turn.
Alex Godfrey, GQ Magazine [UK] -Fresh
It’s funny, though not always when you want it to be – perhaps fearing too much gravitas, Johnson undermines it a little too often.
Robert Kojder, Flickering Myth -Fresh
Rian Johnson has crafted an installment that largely defies saga standard narrative structure and tone. There is a quick comedic dialogue exchange in the beginning between Oscar Isaac’s fighter pilot Poe Dameron and Domhnall Gleeson’s First Order General Hux that falls in line with the brand of humor Disney and Marvel inject into that particular cinematic universe.
John Serba, MLive.com -Fresh
Some stabs at comedy feel overwrought and clunky, including a stint on a ritzy planet of war profiteers, an extended sequence of skillfully directed silliness destined to be beloved fodder for apologists only.
Up next is Part II: Canto Bight.

Part 2/3

Critic's Criticisms Part II: Canto Bight

This is the continuation of my series highlighting specific critic's criticisms of TLJ. Part I on Humor is here, which also details my reasoning for this mining operation. Here we are covering Canto Bight, and we have everything from run of the mill iodized stuff to hail-sized rock salt on display, so adjust your goggles accordingly.
Johnson overplays his hand occasionally — most notably an unnecessary sequence at the casino city of Canto Bight that goes straight from a political sermon into a plot hole
Ethan Sacks, New York Daily News - Fresh
The bad news is, this involves an unnecessary trip to a kind of casino planet that doesn’t really advance the story.
Bill Goodykoontz, Arizona Republic - Fresh
A scene in an opulent casino is easily the most painful yet in this new generation of Star Wars flicks, eliciting images of the green screen busy set pieces of the early-2000 franchise additions, enticing to the youngest members of the audience who need their stories overly padded with shiny spectacle.
Matt Oakes, Silver Screen Riot - Fresh
Boyega is a loveable hero, and his new compadre Rose (Kelly Marie Tran) is a nice addition. However, as much as it isn’t overbearing, their entire sub-plot is when the adventure loses steam. This moves the film away from where all the interest is – Luke. At this point, it becomes a little disjointed and unnecessary, never reaching a point of excitement required for a chunk of plot of this degree.
Cameron Frew, FrewFilm - Fresh
an extended digression with Finn and Rose that doesn’t end up counting for much plotwise
Bob Chipman, Moviebob Central - Fresh
Sadly, Boyega's Finn -- still an appealing character -- is saddled with a go-nowhere plot-line that has him and Resistance mechanic Rose show up at a space casino and cross paths with a rogue with a heart of a gold (or maybe just rogue?) played by Benicio Del Toro. There's the kernel of interesting idea there as we glimpse the socioeconomic underpinnings of this galaxy far, far away in a way we've never seen before, but it's a digression whose payoff doesn't warrant the build-up. And when you're already the longest Star Wars ever made (two and a half hours!), some snipping here and there might not have been a bad idea.
Zaki Hasan, Zaki's Corner - Fresh
I’m not a big fan of Finn and Rose’s side adventure, which has the air of a spinoff story being tacked onto the main narrative (probably to give Finn a purpose, since Rey is doing her own thing with Luke). Apart from showcasing the power of hope on a younger generation, it’s not as well integrated into the seams of the larger story as it could’ve been.
Tomas Trussow, The Lonely Film Critic - Fresh
It’s Finn’s mission which takes the film off on a diversion where it didn’t really need to go. There’s a lot of comedic hijinks involved in all of this which George Lucas would have excised from the first draft of anything he ever wrote.
Niall Browne, Movies in Focus - Fresh
Much of the Canto Bight sequence feels unnecessary
Molly Templeton, Eugene Weekly - Fresh
First, both prominent new characters Rose and DJ seemed shoe-horned in, and Rose especially doesn't seem to have a real place in this film nor does she add anything to be hopeful about in the future. And while both Rey and Poe fans will probably be pleased with where their characters go, Finn sort of takes a step back, as he is sent off on a side adventure that seems like second-tier Star Wars. It's a diversion that takes up a good portion of the film and really serves no purpose to the overall story...worse yet, it seems to contain some heavy-handed political messages not commonly found, at least not this blatantly, in the Star Wars universe. These are more than just quibbles too: Most fans will not be used to the slow, lumbering pace or the general unevenness of this film...especially coming on the heels of the action-packed pacing that JJ Abrams brought in Episode VII.
Tom Santilli, AXS.com - Fresh
There’s some stuff that feels extraneous (the whole Canto Bight sequence, which seems to exist to set up a new Lando-like character played by Benicio del Toro), and the cycle of attack and retreat — mostly retreat — gets a bit monotonous.
Rob Gonsalves, eFilmCritic.com - Fresh
Muchas de las situaciones se sienten forzadas e innecesarias (por ejemplo, la aventura de Finn y Rose, me parece innecesaria).
Ruben Peralta Rigaud, Cocalecas - Fresh
Their jaunt to the casino planet of Canto Bight serves little purpose besides introducing Del Toro, updating the cantina scene, and offering up a tired CGI chase scene that wouldn’t have looked out of place in Attack of the Clones. Kudos (maybe) to Johnson for introducing income inequality to the Star Wars universe, but the entire sequence feels rushed and shoehorned into an already long movie.
Pete Vonder Haar Houston Press - Fresh
The weakest of these is Finn's. It's briskly paced and full of action yes, but let's just say a casino is no cantina... Worse, it also sees him interacting with Prequel Trilogy levels of CGI critters.
Karl Puschmann, New Zealand Herald - Fresh
But the worst distraction “The Last Jedi” has to offer involves erstwhile Stormtrooper Finn (John Boyega) and a Resistance maintenance worker named Rose (Kelly Marie Tran), a subplot every bit as visually and narratively inept as Lucas’ prequels were taken as.
J. Olson, Cinemixtape - Rotten
Finn’s entire storyline could be cut and the film would be better off. As Finn was one of the driving-force leads of The Force Awakens and also a charming character, this is a disappointing development. His adventure is such a low point that it would not seem out of place in one of George Lucas’ efforts from between 1999 and 2005, and it serves little purpose to the film’s overall plot.
Alex Doenau, Trespass - Fresh
there’s too much going on in The Last Jedi, and a lot of it feels like filler. Besides the aforementioned, stalled-out space battle, there’s a clunky sequence in a casino that goes on far too long, a lot of distracting cameos, and new characters inhabited by Laura Dern and Benicio del Toro, who bring close to nothing to the proceedings.
Bob Grimm, Reno News and Review - Fresh
Finn and Rose (a new addition to the principal cast) distract the audience with an overlong and ultimately unnecessary side plot.
Richard Dove, International Business Times - Rotten
And this plotline feeds right into the absolutely unforgivably terrible subplot, which is the adventures of Finn (John Boyega) the cowardly ex-storm trooper, and Rose (Kelly Marie Tran), the class-conscious engineer, who go on a fetch quest that is every bit as pointless as the whole matter of the military nonsense, only even worse, because it hinges on terrible comedy, bad CGI, and a spectacularly horrible moment when Johnson stops the film in its tracks to provide a ruthlessly on-the-nose lesson about economic inequality and the military-industrial complex.
Tim Brayton, Alternate Ending - Rotten
Some of what happens on the casino planet — called Canto Bight, and sure to figure in the next film — is goofy on a level as cringe-inducing as things we saw in the prequel trilogy; like, Jar-Jar Binks–awful.
MaryAnn Johanson, Flick Filosopher - Fresh
Johnson does his best to hustle from one location to the next, but the narrative has a tendency from time to time to drag. The biggest example of this are the scenes on Canto Bight. Which is a shame, because a huge chunk of the film’s message is established on these scenes. But the very nature of the story, with its many moving parts, inadvertently makes this section of the film feel like a diversion.
Chris Evangelista, Slashfilm - Fresh
The humour is kind of sour in other places, too, such as the silly neo-cantina scene as Finn and Rose track the whereabouts of a mysterious encrypter, who might be the rebellion’s last hope, into a sort of galactic Monte Carlo. The abundance of slapstick there and in other parts of the film doesn’t click and feels forced.
Diva Velez, TheDivaReview.com - Fresh
In an unnecessary and quite frankly preposterous third subplot, Finn (John Boyega) and a new character, Rose Tico (Kelly Marie Tran), race against the clock to locate an underworld figure who can help them neutralise the First Order’s tracking device, thus allowing the diminished rebel fleet to escape.
Vicky Roach, Daily Telegraph (Australia) - Rotten
Weak points come with awkward humour that lacks comedic rhythm and an unnecessary casino escapade, where a disposable underworld character DJ (Benicio del Toro) is introduced, that subsequently soft lens into what is essentially a children's adventure tale about animals
Craig Takeuchi, Georgia Straight - Fresh
Unfortunately, we keep getting dragged away from the only emotionally resonant portion of the film to watch Finn and Rose engage in sub-prequel hijinks on the casino planet. Everything here is forced and awful, visually uninteresting and often dark to the point of unwatchability, lousy with mawkish little kids making bug eyes at the camera as we marvel at the horror of economic inequality, and drowned in an atrocious patina of truly terrible CGI. It calls to mind the droid factory in Attack of the Clones and the pre-podrace sequence in The Phantom Menace. Most offensively, the whole Finn/Rose diversion has absolutely no importance to the forward momentum of the plot—it's utterly irrelevant, even nonsensical.
Sonny Bunch, Washington Free Beacon - Rotten
Not everything in the film works: a few of the goofier comic moments fail to land and true to the legacy of Lucas there’s a fair amount of eye-wincing dialogue. More importantly, the second act bows under the weight of too many narrative strands; Finn’s away mission comes off as a bit superfluous, as does Laura Dern’s Vice Admiral Holdo, and both Rose and the beloved Chewbacca (Joonas Suotamo) are sadly underwritten. In a trade-off that brings scope and complexity, Johnson has sacrificed narrative efficiency.
Christopher Machell, CineVue - Fresh
I didn't like the sequence in a casino--a callback to the Star Wars Cantina, of course, but also a chance to discuss the evils of war profiteers and the 1%. There are creatures there, there's slapstick, there's a heist of sorts, and it all harks back to my favourite of Johnson's films, The Brothers Bloom, in the interplay between the characters, in the lightness and clarity of the scheme. But it's tonally disruptive, and it introduces a trio of children who seem like part of a different film.
Walter Chaw, Film Freak Central - Fresh
Finn and Rose’s trip to a gambling planet – basically a space Monaco – flits between light fun and on-the-nose political narrative.
Richard Whittaker, Austin Chronicle - Fresh
It also begs the question why the space casino sequence, arguably the least relevant to the core story, wasn’t dramatically trimmed back. Aside from a throwaway final shot, this section of the film is the weakest – designed to depict profiteering space-capitalism run rampant (ironically, also depicting a stable of space-horses also running rampant).
Patrick Kolan, Shotgun Cinema - Fresh
But as ingenious as this setup may be, it also gives rise to the film's most pointless subplot. After waking from his coma, Finn (John Boyega) contrives a means by which he can disable the New Order's tracking device, albeit one that requires him to sneak off the fleeing vessel, travel to a Monaco-styled casino planet, track down a master codebreaker and infiltrate the enemy's warship undetected. This enormous MacGuffin sees Boyega partnered with the charming Kelly Marie Tran as Rose Tico, a Resistance engineer low in status but high in pluck. The problem is that their side adventure does absolutely nothing to advance the actual story.
Tom Glasson, Concrete Playground - Fresh
Unfortunately, John Boyega’s Finn, Oscar Isaac’s Poe and Kelly Marie Tran—as Finn’s new partner-in-rebellion Rose—are given the equivalent of busywork while the rest of the cast moves the plot along.
Simon Miraudo, Student Edge - Fresh
A detour to a casino planet where Finn and a resistance mechanic named Rose (Kelly Marie Tran) search for a codebreaker to help them disrupt the First Order's tracking of the retreating resistance ships feels like a trip into another movie. The stakes here seem far lower than the live-or-die scenario facing Poe, General Leia Organa (the late Carrie Fisher) and the others trying to make their getaway.
Greg Maki Star-Democrat (Easton, MD) Fresh
The only characters not doing a huge amount of growing are Finn (John Boyega) and mechanic Rose Tico (Kelly Marie Tran), and not for nothing, their subplot opens up a momentum drain that is the only weakness in The Last Jedi. Boyega and Tran are perfectly enjoyable, and their subplot isn’t a complete waste of time, but you start to feel the length of The Last Jedi when it veers off with them, and Finn’s arc is a pale echo of Poe’s so it’s not like much is being accomplished.
Sarah Marrs Lainey Gossip Fresh
Rey’s journey toward learning the ways of the Jedi is far more entertaining than Finn’s convoluted (and ultimately pointless) storyline
Josh Bell Las Vegas Weekly Fresh
Rose’s character is front and center in the film’s weakest sequences. We’re diverted to a city where the worst of the worst frolic. No, not the usual hives of scum and villainy. It’s a casino where the very, very rich cavort. The evil One Percenters! If you’re not immediately yanked out of the story here you deserve a prize. The accompanying dialogue is equally clunky, as is the reason all these vapid souls gained their fortunes.
Christian Toto, HollywoodInToto.com - Rotten
Far less successful is the time spent with the rebels on the run from Hux and the First Order. Not only is it centered on the slowest space chase in sci-fi history, but subplots featuring Poe, Finn (John Boyega), and Rose (newcomer Kelly Marie Tran) go absolutely nowhere. Sure we get introduced to DJ (Benicio Del Toro) and Vice Admiral Holdo (Laura Dern), but it’s with actions that fail to connect either through sheer stupidity or the simple truth that their absence wouldn’t change the story in the slightest. They’re obvious filler, and as is the Disney way (witness their Marvel films) the studio’s never met a character that couldn’t be jammed into a movie for no reason other than the misguided belief that more is better. Finn and Rose’s adventure in particular offers some additional action beats and a visit to a casino — think the Mos Eisley Cantina scene from Star Wars, but for the 1% — but it is meaningless noise.
Rob Hunter, Film School Rejects - Fresh
Meanwhile, what feels too much like the “B plot” side adventure has Finn and Rose on a mission that takes them into another film entirely, a sort of intergalactic James Bond-meets-Free Willy. It’s hard not to feel that their entire subplot could be axed in order to make The Last Jedi stronger and tighter, which is unfortunate.
Kaila Hale-Stern, The Mary Sue - Fresh
There is a whole section that feels out of kilter and harks back to the CGI naffness of the prequels — and is also virtually pointless to the plot.
Jamie East, The Sun (UK) - Fresh
The film’s epic 150-minute runtime allows plenty of room for Johnson’s inventiveness, but there’s also a tiny bit of fat in the middle of the movie, specifically in the Canto Bight scenes with Finn and Rose. The casino city itself is gorgeous and has some crazy-cool characters, plus Finn and Rose’s presence there shines a light on some new, worthwhile themes for the Star Wars franchise. However, in terms of the overall story, the whole escapade feels a little pointless and small. It doesn’t help that Benicio del Toro’s new character, DJ, who is part of the same storyline, is largely insignificant.
Germain Lussier, io9.com - Fresh
Star Wars: The Last Jedi does have a clear weak spot -- specifically the side plot that develops between Finn (John Boyega) and newly-introduced Resistance member Rose Tico (Kelly Marie Tran). Following a genuinely funny meet-up between the two characters, they are given their own special mission searching for a codebreaker who can assist in the battle against the First Order. But this storyline never feels particularly inspired or impactful as everything else going down in the movie. While it is constructed to fit with the larger themes of the film, features its own interesting expectation-flipping turns, and does eventually have a key impact on the macro scale, it's also the only part of the feature that ever feels expendable, and not helping anything is that it features the weakest visual effects of the blockbuster (especially during a second-act chase sequence).
Eric Eisenberg, CinemaBlend - Fresh
Finn and Rose’s mission takes them to Canto Bight, a kind of Monte Carlo peopled by extras from Babylon 5, and feels like it is just ticking the Weird Alien Bar box started by the Cantina. A ride on space horses also feels like a needless diversion, as does Benicio Del Toro’s space rogue, whose strange, laconic presence never really makes its mark.
Ian Freer, Empire Magazine - Fresh
It’s a shame, then, that the righteousness of Finn and Rose’s place in the film is undermined slightly by the limpness of their mission. Perhaps feeling there had to be some kind of Mos Eisley–esque sequence in the film, Johnson sends the pair to a casino city full of all kinds of creatures. It’s fun, sure, but the whole operation ultimately turns out to be a red herring. At least there’s some nice musing on liberation during this stretch, reminding us of the real stakes of this long story—freedom is, after all, what the Empire denies and the Rebel Alliance promises. And in a gorgeous third-act sequence—which includes the film’s true Empire Strikes Back homage—Finn and Rose finally get the emboldened moments they deserve. I just wish they fit more integrally into the central thesis of the film, that they were just as special, in their way, as Rey is, glinting with messianic power as she ascends.
Richard Lawson, Vanity Fair - Fresh
Of the three simultaneous plots, it’s Finn’s that sometimes drags down the energy, particularly with an introduction of a shady thief played by Benicio del Toro, the only new addition to the cast that doesn’t quite work; he seems to be acting in his own private movie, and it’s not as good as this one.
Will Leitch Paste Magazine - Fresh
Where the film struggles the most is on Canto Bight. Taken on her own, Rose isn’t a bad addition to the Star Wars mythos, and the movie definitely needs someone to play against Finn. Unfortunately, they lack the electric chemistry we saw between Finn and Rey in The Force Awakens, and their secret mission in a casino feels like it should be far more entertaining than it actually is.
Matt Goldberg, Collider - Fresh
Some action sequences are superfluous and unengaging. Benicio del Toro all but cameos as a sort of hobo hustler, while John Boyega’s Finn is sidelined, relegated to relatively inconsequential hi-jinx.
Alex Godfrey, GQ Magazine [UK] - Fresh
Finn (John Boyega) and newcomer Rose (Kelly Marie Tran) attempt an espionage mission that takes them to what is the Star Wars equivalent of the French Riviera. It’s a casino city named Canto Bight, and their adventures here push the Rick’s Café sensibilities from the original Star Wars’ cantina sequence to their limit. Nevertheless, this entire subplot amounts to a whole lot of padding while the real tough and revelatory decisions are made on Ahch-To.
David Crow, Den of Geek - Fresh
Plot-wise, I felt the entire side story at the casino world of Canto Bight was unnecessary. If you cut the entire sequence out of the film, it would have little impact on the core narrative.
Scott Chitwood ComingSoon.net - Fresh
Finn (John Boyega) wakes up, meets a admiring fan down in maintenance named Rose Tico (Kelly Marie Tran) and they head off on their own adventure, a detour that somehow combines the louche slickness of Cloud City and moralizing at its most Disney.
Joe Gross, Austin American-Statesman - Fresh
But The Last Jedi’s two-and-half-hour sprawl still includes an awful lot of clunky, derivative, and largely unnecessary incidents to wade through in order to get to its maverick last act. This is especially true when it comes to the plausibility-straining mission of stormtrooper turned Rebel Alliance fighter Finn (John Boyega) and puckish series newcomer Rose Tico (Kelly Marie Tran).
Sam C. Mac, Slant Magazine - Rotten
There are a couple of big names that fail to deliver much aside from, perhaps, realizing their childhood dreams of being in a “Star Wars” movie. A trip to a city that might as well be called Space Macau also fails to pay many dividends.
Christopher Lawrence, Las Vegas Review-Journal - Fresh
Case in point is the plot involving Finn (John Boyega) and new hero Rose's (Kelly Marie Tran) McGuffinesque mission to Canto Bight, which is of the ashtray-on-a-speederbike variety, and takes away from the tension cranked up elsewhere.
Harry Guerin, RTÉ (Ireland) - Fresh
The remaining 20% is made up of two different locales, one of which is entirely superfluous to the story. Essentially, there is a subplot that introduces Benicio del Toro’s mysterious work of eccentricity, except it doesn’t really do much of interest with him. Admittedly, it feels as if the character could be destined for bigger things in the final chapter, but I can only go off of what I watched, and well, the middle portion of The Last Jedi is stuck in the furthest setting from lightspeed. The journey expands to a space-Vegas full of various alien life forms and inhabitants, but it’s not as visually striking as previously explored planets. Additionally, by design, there seems to be filler injected simply because the other characters need things to do while Rey accomplishes what she needs to with Luke.
Robert Kojder, Flickering Myth - Fresh
The scenes on Canto Bight seemed like an unnecessary divert for Rose (a new character I actually really like) and Finn. This “casino planet” was like a scene right out of a low-budget Sy-Fy channel movie shot in Vancouver. It felt too familiar and earthbound to be a scene in an other-worldly scene in a Star Wars movie. The Rose/Finn alien horse race through the casino that ruined the galactic one-percenters good time and did some property damage was just ridiculous and should have been cut. Rose and Finn flopping around on the alien horse just looked like a bad theme park ride.
Chris Gore, Film Threat - Fresh
There’s a lengthy diversion to the casino planet of Canto Bight that feels pointless and tacked on just for the sake of giving us a cool new corner of the galaxy to feast our eyes on.
Chris Nashawaty, Entertainment Weekly - Fresh
And that's it for Part II. Happy Holidays to all my fellow fans and miners! Next week I will conclude with Part III, which will cover- well, let's just say it's the longest of this series by far. Heh.
submitted by botania to bestofstc [link] [comments]

[For Sale] Lots of Jazz and some other genres (blues, classic rock, country, folk). $4 flat shipping, $10 minimum). Bundle with my Discogs (over 1200 to choose from)!

Mostly jazz here, but other genre's too. $10 minimum order, $4 shipping for any amount sent Media Mail, tracked in the US. Shipping from Illinois. Please inquire for international. Links below lead to my Discogs site that contain additional detail about the LPs condition. I crammed as many in this post as possible, but feel free to pick from MY Discogs as well to bundle.
Grades are VINYL / JACKET.
Thanks!
X
Ahmad Jamal - Portfolio Of Ahmad Jamal VG VG $7
Ahmad Jamal Trio - Volume IV VG VG $4 Al Di Meola - Casino VG+ VG+ $4 Al Kooper - Championship Wrestling VG+ VG+ $4 Alex de Grassi - Southern Exposure VG+ VG+ $5 Alphonse Mouzon - The Man Incognito VG VG $7 Alphonso Johnson - Moonshadows VG+ VG+ $5 Alvino Rey - Refreshing Melodies VG+ VG $3 André Previn, Shelly Manne, Red Mitchell - Sessions, Live VG+ VG $7 Anthony Braxton - New York, Fall 1974 VG+ VG $8 Aretha Franklin - Greatest Hits Volume II VG+ VG $3 Aretha Franklin - Jump To It VG VG+ $4 Art Tatum - The Tatum Solo Masterpieces, Vol. 10 VG+ VG+ $3 Art Tatum Trio - Presenting... The Art Tatum Trio VG+ G+ $15 Audience (2) - The House On The Hill VG+ VG $6 Average White Band - Warmer Communications VG+ VG+ $4 Babatunde Olatunji - Zungo! VG+ VG+ $5 Badlands (10) - Badlands VG+ VG $4 Barney Kessel - Barney Kessel's Swingin' Party At Contemporary VG VG+ $4 Barney Kessel - Music To Listen To Barney Kessel By VG VG $4 Barney Kessel - Vol. 3, To Swing Or Not To Swing G+ G+ $3 Barry Galbraith - Guitar Comping NM NM $4 Beck, Bogert & Appice - Beck, Bogert & Appice VG+ VG $3 Ben Webster & Harry Edison - Ben And "Sweets" NM VG+ $8 Benny Carter 4 - Montreux '77 NM VG+ $8 Bernard Wright - Nard VG+ VG+ $35 Bill Perkins, Art Pepper, Richie Kamuca - Just Friends VG G+ $13 Bill Reinhardt - Where Were You Last Night? "At Jazz Ltd. Of Course" VG VG+ $3 Bill Withers - Still Bill G+ G+ $4 Billie Holiday - Broadcast Performances Volume 3 1956 - 1958 VG+ VG $4 Billie Holiday - Lonely Blue Child... VG+ VG $8 Billie Holiday - The Billie Holiday Story Volume III VG+ VG $6 Billie Holiday - The Original Recordings VG+ NM $5 Billy Vaughn - Number 1 Hits, Vol. 1 VG+ VG+ $3 Bloodrock - Bloodrock 2 VG G+ $3 Bob Brookmeyer - Bob Brookmeyer And Friends VG+ VG+ $5 Bob Dylan / The Band - Before The Flood VG+ VG+ $14 Bobby Broom - Clean Sweep VG+ VG $4 Bobby Jones (2) - Arrival Of Bobby Jones NM VG $6 Booker T & The MG's - Hip Hug-Her G+ VG+ $13 Brand X (3) - Do They Hurt? VG+ VG $4 Brand X (3) - Livestock VG+ VG+ $4 Brand X (3) - Moroccan Roll VG+ VG $5 Brand X (3) - Unorthodox Behaviour VG+ VG+ $6 Branford Marsalis - Random Abstract VG+ VG $3 Branford Marsalis - Royal Garden Blues VG+ VG+ $4 Branford Marsalis - Scenes In The City VG+ VG+ $4 Brian Auger - Brian Auger VG+ VG $3 Brian May + Friends - Star Fleet Project NM VG+ $5 Brother Jack McDuff - Live! VG VG+ $6 Brother Jack McDuff - The Midnight Sun VG G+ $4 Bud Freeman's All Star Orchestra Featuring Harold Baker - The Bud Freeman All-Stars Featuring Shorty Baker NM VG+ $13 Bud Shank Featuring Laurindo Almeida - Brazilliance Vol. 2 VG+ VG+ $14 Buddy DeFranco And Oscar Peterson - Play George Gershwin VG G $6 Buddy Johnson - Wails VG VG+ $4 Bunny Sigler - Let The Good Times Roll & (Feel So Good) VG+ VG+ $9 Caldera (2) - Dreamer VG+ G+ $4 Caldera (2) - Time And Chance VG+ VG+ $4 Cannonball Adderley - Somethin' Else G+ G $34 Cannonball Adderley - The Black Messiah G+ G+ $8 Carlos Barbosa-Lima - Plays The Music Of Luiz Bonfá And Cole Porter NM VG+ $4 Charles Earland - Black Talk! VG VG $4 Charles McPherson - Siku Ya Bibi (Day Of The Lady) VG+ VG+ $6 Charles Mingus - Mingus VG+ VG+ $7 Charlie Byrd - Brazilian Byrd VG VG $5 Charlie Byrd - Brazilian Byrd VG VG+ $4 ~~ PENDING Charlie Byrd - For All We Know ~~ VG+ G+ $3 Charlie Parker - The Happy "Bird" VG+ G+ $5 Charlie Parker - Dizzy Gillespie - Charlie Parker-Dizzy Gillespie M NM $6 Chico Hamilton - The Gamut VG+ G+ $5 Chuck Mangione - Feels So Good VG+ VG+ $4 Count Basie - Super Chief VG+ VG $5 Count Basie / Big Joe Turner - The Bosses VG+ VG $4 Count Basie Orchestra - Hollywood...Basie's Way NM NM $6 Count Basie Orchestra - Kansas City Suite - The Music Of Benny Carter VG VG $3 Crosby, Stills & Nash - Crosby, Stills & Nash VG VG+ $5 Dakota Staton - The Late, Late Show VG+ VG+ $4 Danny Wilding / Pete Bonus - Pleasure Signals VG+ VG $5 Dave Brubeck - Time In VG+ VG+ $5 Dave Edmunds - Subtle As A Flying Mallet NM VG+ $5 David Rose - Enchanted Strings VG+ VG+ $3 Dean Elliott - College Confidential VG+ VG+ $4 Dean Martin - The Best Of Dean Martin VG+ VG+ $7 Delaney & Bonnie & Friends - Motel Shot VG+ VG+ $9 Delaney Bramlett - Mobius Strip VG+ VG $5 Dexter Wansel - Voyager VG VG $5 Dick Garcia - A Message From Garcia NM NM $15 Donald Byrd - Places And Spaces G+ F $4 Donald Byrd, Gigi Gryce, Wynton Kelly, Art Taylor, Jackie Paris, Julius Watkins, Sahib Shihab, Jimmy Cleveland - Modern Jazz Perspective VG+ VG+ $6 Dorothy Washington - The Negro Woman VG+ VG+ $5 Doug Clark & The Hot Nuts - Homecoming VG VG+ $3 Drifting Cowboys - We Remember Hank Williams VG+ VG+ $18 Duke Ellington - Duke Ellington's Greatest Hits VG VG $4 Duke Ellington - The Music Of Duke Ellington Played By Duke Ellington VG+ VG+ $3 Duke Ellington And His Orchestra - Duke's Mixture G+ G+ $3 Eberhard Weber - Fluid Rustle VG+ VG $7 Ed Thigpen - Out Of The Storm VG VG+ $4 Eddie "Cleanhead" Vinson - Great Rhythm & Blues Oldies Volume 11 - Eddie "Cleanhead" Vinson VG VG+ $3 Eddie "Lockjaw" Davis With Shirley Scott And Jerome Richardson - The Eddie "Lockjaw" Davis Cookbook G+ G+ $5 Eddie Adcock - Eddie Adcock And His Guitar VG+ VG $3 Eddie Bonnemere - Jazz Orient-ed VG+ VG $8 Eddie Harris - Cool Sax Warm Heart VG+ VG+ $8 Eddie Jefferson - Letter From Home VG F $8 Edgar Bergen, Charlie McCarthy (2) - Original Radio Broadcasts Featuring Edgar, Charlie, Mortimer, Snerd, Effie, Klinker, And Their Guests VG VG+ $6 Edmundo Ros & His Orchestra - Latin-American Novelties VG+ G+ $4 Ella Fitzgerald - Ella Abraça Jobim - Ella Fitzgerald Sings The Antonio Carlos Jobim Song Book VG+ VG+ $10 Elton John - Captain Fantastic And The Brown Dirt Cowboy VG+ VG+ $5 Elton John - Don't Shoot Me I'm Only The Piano Player VG+ VG $4 Eric Clapton - Eric Clapton VG G+ $4 Eric Kloss / Barry Miles - Together VG+ VG+ $3 Etta Jones - Don't Go To Strangers VG+ VG $14 Frank Butler - The Stepper VG+ G+ $6 Frankie Carle - Caressin' The Keys VG VG+ $8 Fred Katz, Harold Gaylor, John Pisano - 4-5-6 Trio G+ VG $8 Freddie Hubbard - First Light VG+ VG+ $7 Freddie Hubbard - Straight Life VG+ VG $11 Gerry Mulligan Meets Ben Webster - Gerry Mulligan Meets Ben Webster VG+ VG+ $14 Gil Evans - Pacific Standard Time VG+ G+ $5 Graham Jackson (3) - In Concert At Pittypat's Porch In Atlanta, Georgia VG+ VG $8 Grand Dominion Jazz Band - Come Back, Sweet Papa NM NM $9 Grover Washington, Jr. - Mister Magic VG VG+ $7 Hank Crawford - Cajun Sunrise VG+ NM $4 Hank Mobley Quartet - Hank Mobley Quartet NM NM $10 Herbie Hancock - Maiden Voyage NM NM $14 Herbie Hancock - Takin' Off VG+ VG+ $30 Herbie Hancock - The Prisoner VG+ VG+ $16 Herbie Hancock - V.S.O.P. VG+ G+ $6 Herbie Mann - Memphis Two-Step NM VG+ $4 Hubert Laws - Family VG+ VG $4 Hugo Montenegro - Love Theme From The Godfather VG+ VG+ $3 Ike Quebec - Blue & Sentimental NM NM $14 Irving Wolfe, Beatrice Krone, Margaret Fullerton - The Development Of Jazz VG VG $6 Jack Bruce - Songs For A Tailor VG+ VG $5 Jack DeJohnette's Directions - Cosmic Chicken VG+ VG $6 Jackie Mclean - Monuments VG+ VG+ $5 Jaki Byard - On The Spot! VG+ G+ $15 James Blood Ulmer - Black Rock NM VG+ $8 Jazz At The Philharmonic - Norman Granz' Jazz At The Philharmonic Vol.3 VG+ G+ $20 Jean-Luc Ponty - Aurora VG+ VG $5 Jean-Luc Ponty - Canteloupe Island VG+ VG+ $8 Jean-Luc Ponty - Cosmic Messenger VG+ VG+ $3 Jean-Luc Ponty - Electric Connection VG+ VG+ $7 Jean-Luc Ponty - Imaginary Voyage VG VG $3 Jean-Luc Ponty - Live VG+ VG+ $3 Jean-Luc Ponty - Upon The Wings Of Music VG+ VG+ $3 Jeff Beck - There & Back VG+ VG+ $4 Jeff Beck - Truth/Beck-ola VG+ VG+ $5 Jeff Beck With The Jan Hammer Group - Live VG+ VG+ $4 Jerry Byrd - Steel Guitar Favorites VG G+ $5 Jim Collier (3) - Trumpet Pickin' M M $6 Jim Hall - In A Sentimental Mood VG VG+ $4 Jimmy Dempsey - Tennessee Saturday Night Fever VG+ VG+ $5 Jimmy McGriff - Black And Blues G VG $3 Jimmy McGriff - Black Pearl VG+ VG $7 Jimmy McGriff - Fly Dude VG VG+ $6 Jimmy Raney - A VG+ VG+ $15 Jimmy Smith - Got My Mojo Workin' VG VG+ $3 Jimmy Smith - The Best Of Jimmy Smith VG+ VG+ $8 Jimmy Smith - The Sermon! VG G+ $8 Jimmy Smith - Unfinished Business VG+ VG+ $4 Jimmy Witherspoon, Gerry Mulligan, Ben Webster With Mel Lewis, Leroy Vinnegar, Jimmy Rowles - At The Renaissance VG G $8 Joe Dukes With The Brother Jack McDuff Quartet - The Soulful Drums Of Joe Dukes With The Brother Jack McDuff Quartet G+ G $13 Joe Houston - Wild Man Of The Tenor Sax VG VG $6 Joe Pass - Guitar Interludes VG+ NM $65 John Coltrane - Live At The Village Vanguard Again! VG+ VG $15 John Entwistle - Whistle Rymes VG+ VG $3 John Jacob Niles - The Ballads Of John Jacob Niles VG VG $6 John Klemmer - Magic Moments NM VG+ $3 John Klemmer - Waterfalls VG+ VG $5 John Patton - Accent On The Blues VG+ VG+ $15 John Williams (7) - A Spanish Guitar VG+ VG+ $4 Johnny Guitar Watson - A Real Mother For Ya VG VG $3 Johnny Guitar Watson - Ain't That A Bitch G+ VG+ $3 Johnny Hodges - A Tribute To Johnny Hodges VG+ VG $6 Johnny Hodges & Wild Bill Davis - Wings And Things VG VG+ $4 Johnny Lytle - Be Proud VG+ VG $4 Johnny Smith - Reminiscing VG+ VG $5 Jon Lucien - The Best Of VG+ VG+ $4 Jørgen Ingmann - Swinging Guitar VG G+ $3 Ken Moule - Cool Moule VG+ VG $17 Kenny Burrell - Ellington Is Forever VG+ G+ $4 Kenny Burrell - In New York VG+ VG+ $9 Kenny Burrell - K.B.Blues NM VG+ $55 Kenny Burrell - Kenny Burrell VG+ VG+ $34 Kenny Burrell - When Lights Are Low VG G+ $6 Kenny Burrell / Jimmy Smith - Blue Bash! VG+ VG $6 Kenny Dorham With Cannonball Adderley & Sonny Rollins - Kenny Dorham And Friends G+ G+ $4 King Crimson - In The Wake Of Poseidon VG+ G+ $11 King Curtis - Live At Fillmore West G+ VG $8 Kool & The Gang - Open Sesame VG+ VG $5 Lambert, Hendricks & Ross With The Ike Isaacs Trio - Sing Ellington M G+ $17 Larry Coryell - The Lion And The Ram VG G+ $3 Larry Coryell with John Scofield and Joe Beck - Tributaries VG+ VG $6 Latin All Stars (2) - Jazz Heat Bongo Beat G+ Not Graded $4 Laurindo Almeida - Contemporary Creations For Spanish Guitar VG+ G+ $5 Laurindo Almeida - Spanish Guitar Recital VG+ VG+ $4 Leadbelly - Sings Ballads Of Beautiful Women & Bad Men / With The Satin Strings VG+ VG+ $12 Lennie Niehaus - Vol.1 The Quintets G F $4 Lester Young With Count Basie Orchestra - Let's Go To Prez VG+ VG+ $11 Levon Helm - Levon Helm VG VG+ $8 Lily Pons - Popular Concert VG+ VG+ $4 Little Feat - Dixie Chicken VG VG $3 Little Feat - Little Feat VG+ VG+ $11 Lonnie Brooks - Bayou Lightning G+ VG $3 Lonnie Liston Smith - Live! VG+ G+ $4 Lonnie Mack - Second Sight VG+ VG+ $3 Lord Jayson And His Limbo Gang - Limbo VG G+ $4 Lou Bennett (2), The George Benson Quintet, Charlie Byrd Trio - Europa Jazz NM VG+ $3 Lou Donaldson - Midnight Creeper VG+ G+ $4 Lou Donaldson - Midnight Sun VG+ G+ $11 Lou Donaldson - Sassy Soul Strut VG G+ $4 Lou Donaldson Quintet - I Won't Cry Anymore VG+ G+ $4 Mahavishnu Orchestra - Mahavishnu NM VG+ $4 Mark Murphy - Rah VG+ VG+ $19 Marvin Gaye - Trouble Man G+ G $11 Masahiko Satoh Featuring Eddie Gomez And Steve Gadd - Amorphism VG+ VG+ $4 Material - Memory Serves VG+ VG $6 Matrix (26) - IX VG+ VG $7 Matrix (26) - Wizard VG VG $4 Michael Brecker - Don't Try This At Home NM VG+ $4 Mike Stern - Upside Downside NM VG+ $4 Miles Davis - Archives Of Jazz Vol. 3 M VG+ $4 Miles Davis - Kind Of Blue G G+ $15 Miles Davis - Miles Davis At Fillmore VG G+ $6 Miles Davis - Round About Midnight G+ F $17 Miles Davis - Sketches Of Spain M M $17 Milt Buckner - Rockin' With Milt VG+ VG+ $11 Milt Jackson & Ray Charles - Soul Brothers G+ VG $7 Mitch Ryder & The Detroit Wheels - Take A Ride... VG+ NM $17 Morton Gould - Hi-Fi Band Concert M VG+ $11 Muscle Shoals Horns - Born To Get Down VG VG $5 Music Minus One - For Drummers Only! VG+ VG+ $4 Nat King Cole With Nelson Riddle And His Orchestra - The Piano Soul Of Nat King Cole VG+ VG $5 New Birth - Comin' From All Ends VG VG $5 New Birth - It's Been A Long Time G+ VG $3 Newport Youth Band - The Newport Youth Band At The Newport Jazz Festival VG+ G+ $11 Nicanor Zabaleta - Zabaleta Plays Spanish Classics For The Harp VG+ G+ $13 Niels Lan Doky - Daybreak VG+ VG+ $10 Norman Granz - Jazz At The Philharmonic Vol.8 VG+ VG+ $8 Nova (38) - Vimana VG+ VG $3 Ohio Players - Skin Tight VG VG+ $5 Oliver Sain - Blue Max VG+ VG $8 Oregon - Crossing VG VG+ $3 Oscar Peterson - Soft Sands VG G+ $4 Otis Redding - The Dock Of The Bay G+ VG+ $4 Otis Redding / The Jimi Hendrix Experience - Historic Performances Recorded At The Monterey International Pop Festival G+ VG $4 Owen Bradley - The Big Guitar VG VG $6 Passport (2) - Passport VG VG $8 Pat Martino - Live! VG F $4 Paul Bley - Axis (Solo Piano) VG G $4 Paul Bley With Steve Swallow & Pete La Roca - Floater VG G+ $5 Paul Humphrey Sextet Featuring Oscar Brashear - Paul Humphrey Sextet Featuring Oscar Brashear VG+ G+ $5 Paul McCartney - Tug Of War M M $9 Perez Prado And His Orchestra - Mambo Mania VG+ VG $7 Phil Upchurch / Tennyson Stephens - Upchurch/Tennyson VG G+ $4 Pickin' Around The Cookstove - Pickin' Around The Cookstove NM NM $9 Pieces Of A Dream - We Are One NM VG+ $5 Pyotr Ilyich Tchaikovsky / The Boston Pops Orchestra - Tchaikovsky The Nutcracker, Op. 71 (Excerpts) VG+ VG $4 Quincy Jones - Body Heat VG+ VG+ $9 Quincy Jones - Smackwater Jack VG G $4 Ralph MacDonald - Sound Of A Drum VG+ VG+ $6 Ralph MacDonald - The Path VG+ VG+ $4 Richard Davis (2) - Muses For Richard Davis VG+ VG+ $6 Robben Ford - The Inside Story VG+ VG+ $6 Roland Kirk - Boogie-Woogie String Along For Real VG+ VG+ $5 Roland Kirk - Other Folks' Music VG+ VG $7 Roland Kirk - Pre-Rahsaan VG+ VG+ $6 Rolando La Serie - El Rey Guapachoso VG+ VG $7 Rollie Hudson, Jim Levesque, Dennis Hinman, Debbie Culbertson, Alden Skinner, Tracy Hammer - Record Breaking Performances Featuring The Yamaha Electone 7000 NM VG+ $5 Ronnie Laws - Fever VG+ VG+ $5 Ronnie Laws - Flame VG VG $3 Ronnie Laws - Pressure Sensitive VG VG $6 Roomful Of Blues - Hot Little Mama! NM VG+ $5 Roomful Of Blues - Let's Have A Party VG+ VG+ $5 Ruth Brown - The Real Ruth Brown VG VG $6 Sadao Watanabe - Maisha NM NM $5 Sal Salvador Quartet - Music To Stop Smoking By The Sal Salvador Quartet VG VG+ $20 Sam Cooke And The Soul Stirrers - Gospel In My Soul VG VG $9 Sam Most With Joe Farrell - Flute Talk VG G+ $7 Santana - Amigos VG G+ $4 Sarah Vaughan - That Everlovin' "Sassy" VG G+ $5 Shake Keane - Dig It! NM VG+ $4 Shirley Scott - On A Clear Day VG VG+ $3 Shirley Scott - Shirley's Sounds G+ VG $4 Shirley Scott Trio - Great Scott!! VG VG+ $4 Sly & The Family Stone - Stand! G+ G+ $4 Sonny Boy Williamson (2) & The Animals - The Night Time Is The Right Time VG VG $3 Sonny Stitt - Stardust VG+ VG+ $4 Sonny Stitt & Bunky Green - Soul In The Night VG VG+ $4 ~~ PENDING Stan Getz - Groovin' High~~ VG VG $7 Stan Getz Quintet / The Charlie Parker Quintet - The Saxes Of Stan Getz And Charlie Parker VG VG $4 Stan Getz, Al Cohn, Serge Chaloff, Brew Moore, Allen Eager - Brothers And Other Mothers VG+ VG+ $4 Stan Kenton And His Orchestra - Stan Kenton Classics VG+ VG+ $5 Stan Kenton And His Orchestra, June Christy, The Four Freshmen - Road Show VG+ VG+ $5 Stanley Black - Cuban Moonlight VG VG $4 ~~ PENDING Steel Pulse - True Democracy~~ G+ VG $5 Steely Dan - Pretzel Logic VG+ VG+ $8 Steve Khan - Arrows VG+ VG $5 Steve Kuhn - Trance VG+ VG $6 Steve Marcus - Sometime Other Than Now VG+ VG+ $5 Stevie Wonder - Down To Earth VG VG+ $3 Stevie Wonder - Songs In The Key Of Life VG+ VG+ $14 Sting - The Dream Of The Blue Turtles VG+ VG+ $3 Stomu Yamashta's Go - Go Live From Paris VG+ VG $6 Sylvia Syms - Sylvia Syms Sings VG VG $15 The 50 Guitars Of Tommy Garrett - 50 Guitars Limited Edition VG VG $5 The Art Van Damme Quintet - Manhattan Time VG VG $4 The Beach Boys - Wild Honey VG+ VG+ $13 The Blackbyrds - Flying Start VG+ VG $8 The Charles Ford Band - A Reunion NM VG+ $17 The Chico Hamilton Quintet - Chico Hamilton Quintet VG VG $13 The Dave Brubeck Quartet - My Favorite Things VG G+ $4 The Don Elliott Quintet - The Don Elliott Quintet VG VG $6 The Eddie Bonnemere Trio - Piano Bon Bons By Bonnemere VG+ VG $11 The George Russell Sextet Featuring Don Ellis & Eric Dolphy - 1 2 3 4 5 6extet VG+ VG+ $11 The Laurindo Almeida Trio - Laurindo Almeida Trio VG+ VG $17 The Louis Nelson New Orleans All Stars - April In New Orleans VG+ VG+ $7 The Lovin' Spoonful - You're A Big Boy Now - The Original Sound Track Album VG+ VG+ $5 The Miles Davis Quintet - Cookin' With The Miles Davis Quintet G+ G $17 The Modern Jazz Quartet - Patterns G+ VG $3 The Modern Jazz Quartet - Pyramid G+ G+ $3 The Monty Alexander Trio - Full Steam Ahead VG+ VG+ $3 The Oscar Peterson Trio - In Tokyo - Live At The Palace Hotel NM VG+ $17 The Ramsey Lewis Trio - Bach To The Blues NM VG+ $12 The Ramsey Lewis Trio - The In Crowd VG VG+ $6 The Rascals - Searching For Ecstasy - The Rest Of The Rascals, 1969-1972 NM VG+ $3 The Rolling Stones - Emotional Rescue VG+ VG+ $4 The Section - Fork It Over VG+ VG+ $3 The Section - Forward Motion VG+ G+ $4 The Tennessee Guitars - 20 Pieces Of Country Gold VG+ NM $3 The Ventures - The Ventures VG VG $4 The West India Regiment Steel Band - Panorama VG+ VG+ $8 Thelonious Monk - Monk. G+ Generic $8 Thumbs Carllile - All Thumbs VG+ VG+ $6 Tim Berne - Sanctified Dreams NM VG+ $3 Tina Charles - Heart 'N' Soul VG+ VG+ $3 Tiny Grimes / J.C. Higginbotham - Callin' The Blues G G+ $4 Tommy Speledore - At The Piano VG VG+ $6 Tony Mottola - Guitar U.S.A. VG VG+ $4 Turibio Santos - Five Centuries Of French Guitar Music VG+ VG+ $8 Turk Murphy And Wally Rose - The Music Of Jelly Roll Morton VG+ VG $3 Various - 5 Birds And A Monk VG+ VG $3 Various - A Jam Session By Sarah Vaughan And Other Jazz Stars VG+ VG+ $4 Various - A Jazz Holiday VG+ VG+ $3 Various - Bethlehem's Best VG G+ $4 Various - Death Row - Greatest Hits M M $15 Various - Hi-Fi Drums VG VG $3 Various - In Concert With Host Charley Pride VG+ VG $3 Various - In The Groove (The Masters Of Swing Play Their Greatest Music) NM VG $5 Various - Man With A Horn, Trumpet Solos by Famous Jazzmen G+ VG $6 Various - Mar Y Sol VG+ VG+ $5 Various - Montreux Summit - Volume 2 NM VG+ $4 Various - Murder Was The Case (The Soundtrack) VG+ VG+ $21 Various - One Night With Blue Note Preserved VG+ VG $25 Various - The First Great Rock Festivals Of The Seventies - Isle Of Wight / Atlanta Pop Festival VG+ VG $8 Various - The Twelve String Story, Volume 2 VG+ VG+ $5 Various - Underground Blues G VG+ $3 Virgil Gonsalves Big Band Plus Virgil Gonsalves Sextet - Jazz At Monterey VG+ VG+ $8 Vital Information - Global Beat NM VG+ $5 Walter Bishop, Jr. - Hot House VG+ G+ $5 Walter Raim - 12 String Guitar 12 Great Hits VG+ VG+ $8 Wanda Robinson - Black Ivory VG VG+ $8 War - All Day Music G+ G+ $5 Wes Montgomery - Road Song VG+ VG $4 Wet Willie - Wet Willie Greatest Hits VG+ VG+ $5 Willie Hutch - Fully Exposed VG G+ $8 Willie Ruff - The Smooth Side of Ruff VG+ VG+ $8 Wynton Marsalis - The Wynton Marsalis Quartet Live At Blues Alley NM G+ $4 Wynton Marsalis - Thick In The South (Soul Gestures In Southern Blue Vol.1) VG+ VG+ $5 Ziggy Elman & His Orchestra - Play For Your Dancing Pleasure G+ VG+ $3
submitted by xberry to VinylCollectors [link] [comments]

4th of July, Nice, France, 1989

I only spent one 4th of July outside of the United States, but it was much more memorable than any of the 30-40 fireworks display I've seen in my life.
For one thing, there were no fireworks. It was just another day for the French.
It started fine: A nice, warm, sunny day in Monaco, sitting off of the coast at anchor. Monte Carlo didn't have an actual dock capable of serving the Nassau, so we ferried back and forth on "liberty boats" (Marine landing boats, complete with the drop-down ramp in front, normally used for beach landings) and disembarked on a topless beach.
That was another memorable thing: As a shy suburban lad, I had only seen a few pairs of bared feminine attributes, so to be surrounded by attractive shirtless women was... well... a bit of a culture shock.
On this, our 6th day in port and the last night before embarking for Italy, the shock had transitioned to appreciation of the female forms around me.
Me and a buddy left as soon as the boat hit the dock, and beelined for the nearby train station. As nice as Monaco was, it was very pricey, and there was no way we were going to hang around in a place we couldn't afford to have fun in.
One half-hour train ride later, we were in France. Nice, France.
Nice is nice. There, I got it out of the way. Happy?
First, we hit a small clothing store to pick up shorts. The dress code for departing sailors was a collared shirt and long pants... basically, clothes that marked us as US military to anyone with a 1/4 of a brain. More to the point, they were clothes that were brutally hot in the Mediterranean climate.
We purchased weather-appropriate gear, changed, and walked out to a nearby beach to do some more ogling female-form appreciation.
Sadly, that didn't last as long as we hoped. Rain clouds rolled in, and we were obliged to abandon our drooling sight-seeing. This landed us in a casino, where each of us lost about $50 after a few hours of fucking around.
Unfortunately, time kept ticking away. Sunset approached, and we started back towards the train station.
On the way, we saw a bunch of Marines horsing around in the street outside of a bar of some sort. Specifically, they were doing the "hokey-pokey."
Get that picture in your head: About 20 or 30 young guys, probably in their late teens and early twenties, in a narrow street in Nice, France, putting their left foot in, out, shaking it about, and turning themselves around (that's what it's all about, hey?).
I suspect alcohol was involved.
We decided to grab a drink ourselves. We stepped into that bar and ordered a couple of drinks.
No one carded us. That's something to savor: That we were definitely not old enough to drink in our home country, but some random barkeep in France didn't even blink an eye when we ordered alcohol.
While we savored our ill-gotten libations, we noticed a pair of ladies sitting in the back corner, glaring at us.
My buddy, a suave ladies' man who went through girlfriends like they were on a conveyor belt, naturally walked over and asked, "Hey... why are you so angry?"
"You are celebrating the Fourth of July," one of them answered, in a very cultured, upper class Monty Python accent.
(Hey... I was kind of buzzed... that's how I remember it.)
"And that's a problem for you?" he asked.
"Well... we're British. It's not a good day for us."
Naturally, this compelled us to buy them drinks. Seemed like the right thing to do.
I don't really remember their names. I just remember having another drink, then stepping off of the train in Monaco, and no intervening memories at all.
I'm a lightweight when it comes to alcohol. That was the last lesson I took from Nice.
Somehow, we acted sober enough when we got to the ship that the officer of the deck and our division EM1 didn't notice we were wasted. We got back to our bunks, slept it off, and woke up way too fucking early in the morning to weigh anchor and leave France behind.
Happy 4th, guys.
(EDIT: Fixed words, because drinking and proofreading don't mix.)
submitted by molotok_c_518 to MilitaryStories [link] [comments]

All of the MPAA/CARA-rated films of 1975 (out of the 2,935 films released worldwide that year.)

G
  1. Against A Crooked Sky (Director: Earl Bellamy)
  2. At Long Last Love (Director: Peter Bogdanovich)
  3. Blood Beast Of Monster Mountain (Directors: Massey Cramer + Donn Davison)
  4. Challenge To Be Free (Directors: Tay Garnett + Ford Beebe, Jr.)
  5. Dersu Uzala (Director: Akira Kurosawa)
  6. Dick Deadeye, or Duty Done (Director: Bill Melendez)
  7. Doc Savage: The Man Of Bronze (Director: Michael Anderson)
  8. Emilio + His Magical Bull (Director: Edward Nassour)
  9. Escape To Witch Mountain (Director: John Hough)
  10. He Is My Brother (Director: Edward Dmytryk)
  11. Hugo The Hippo (Director: Bill Feigenbaum)
  12. Lions For Breakfast (Director: William Davidson)
  13. Lost On Paradise Island (Director: George Leszkay)
  14. Mr. Quilp (Director: Michael Tuchner)
  15. Mr. Sycamore (Director: Pancho Kohner)
  16. My Name Is Legend (Director: Duke Kelly)
  17. One Of Our Dinosaurs Is Missing (Director: Robert Stevenson)
  18. Return To Campus (Director: Harold Cornsweet)
  19. Ride A Wild Pony (Director: Don Chaffey)
  20. Stevie, Samson + Delilah (Director: Steve Hawkes)
  21. Superbug, The Craziest Car In The World (Director: Rudolf Zehetgruber)
  22. Terror Of Mechagodzilla (Director: Ishirô Honda)
  23. That Lady From Peking (Director: Eddie Davis)
  24. The Adventures Of The Wilderness Family (Director: Stewart Raffill)
  25. The Apple Dumpling Gang (Director: Norman Tokar)
  26. The Godmothers (Director: William Grefe)
  27. The Great Adventure (Director: Gianfranco Baldanello)
  28. The Pinchcliffe Grand Prix (Director: Ivo Caprino)
  29. The Return Of The Pink Panther (Director: Blake Edwards)
  30. The Strongest Man In The World (Director: Vincent McEveety)
  31. The World Through The Eyes Of Children (Directors: Jimmie Rodgers + Bob Williams)
  32. Their Only Chance (Director: J. David Siddon)
  33. Train Ride To Hollywood (Director: Charles R. Rondeau)
  34. Tubby The Tuba (Director: Alexander Schure)
  35. Viaje fantástico en globo (Director: René Cardona Jr.)
  36. Zorro (Director: Duccio Tessari)
  37. e'Lollipop (Director: Ashley Lazarus)
PG
  1. ‘Sheba, Baby’ (Director: William Girdler)
  2. Alice Cooper: Welcome To My Nightmare (Director: David Winters)
  3. Aloha, Bobby + Rose (Director: Floyd Mutrux)
  4. Barry Lyndon (Director: Stanley Kubrick)
  5. Bite The Bullet (Director: Richard Brooks)
  6. Boss Nigger (Director: Jack Arnold)
  7. Brannigan (Director: Douglas Hickox)
  8. Breakheart Pass (Director: Tom Gries)
  9. Breakout (Director: Tom Gries)
  10. Bronson Lee, Champion (Director: Yukio Nora)
  11. Bug (Director: Jeannot Szwarc)
  12. Cat + Mouse (Director: Claude Lelouch)
  13. Cher Victor (Director: Robin Davis)
  14. Children Of Rage (Director: Arthur Allan Seidelman)
  15. Cipolla Colt (Director: Enzo G. Castellari)
  16. Conduct Unbecoming (Director: Michael Anderson)
  17. Convoy Buddies (Director: Giuliano Carnimeo)
  18. Cooley High (Director: Michael Schultz)
  19. Cornbread, Earl + Me (Director: Joseph Manduke)
  20. Crazy Mama (Director: Jonathan Demme)
  21. Darktown Strutters (Director: William Witney)
  22. Deliver Us From Evil (Director: Horace Jackson)
  23. Diagnosis: Murder (Director: Sidney Hayers)
  24. Diamonds (Director: Menahem Golan)
  25. Dogpound Shuffle (Director: Jeffrey Bloom)
  26. End Of The Game (Director: Maximilian Schell)
  27. Flash + The Firecat (Directors: Beverly Sebastian + Ferd Sebastian)
  28. Fugitive Lovers (Director: John Carr)
  29. Funny Lady (Director: Herbert Ross)
  30. Galileo (Director: Joseph Losey)
  31. Give ‘Em Hell, Harry! (Directors: Steve Binder + Peter H. Hunt)
  32. Guitar Picks + Roach Clips (Director: Anton Noel)
  33. Half A House (Director: Brice Mack)
  34. Hard Times (Director: Walter Hill)
  35. Hearts Of The West (Director: Howard Zieff)
  36. Hedda (Director: Trevor Nunn)
  37. Hennessy (Director: Don Sharp)
  38. Hester Street (Director: Joan Micklin Silver)
  39. How Come Nobody’s On Our Side? (Director: Richard Michaels)
  40. Hustle (Director: Robert Aldrich)
  41. I Wonder Who’s Killing Her Now? (Director: Steven Hilliard Stern)
  42. Infra-Man (Director: Shan Hua)
  43. Inside Out (Director: Peter Duffell)
  44. It Seemed Like A Good Idea At The Time (Director: John Trent)
  45. Jacques Brel Is Alive + Well + Living In Paris (Director: Denis Héroux)
  46. Jaws (Director: Steven Spielberg)
  47. Keep Off My Grass (Director: Shelley Berman)
  48. King Arthur, The Young Warlord (Directors: Sidney Hayers, Pat Jackson + Peter Sasdy)
  49. Las Vegas Lady (Director: Noel Nosseck)
  50. Le Sauvage (Director: Jean-Paul Rappeneau)
  51. Leonor (Director: Juan Luis Buñuel)
  52. Lepke (Director: Menahem Golan)
  53. Let’s Do It Again (Director: Sidney Poitier)
  54. Lies My Father Told Me (Director: Ján Kadár)
  55. Love + Death (Director: Woody Allen)
  56. Lucky Lady (Director: Stanley Donen)
  57. Mackintosh + T.J. (Director: Marvin J. Chomsky)
  58. Mahogany (Directors: Berry Gordy, Tony Richardson + Jack Wormser)
  59. Man Friday (Director: Jack Gold)
  60. Monty Python + The Holy Grail (Directors: Terry Gilliam + Terry Jones)
  61. Moonrunners (Director: Gy Waldron)
  62. Mr. Ricco (Director: Paul Bogart)
  63. Murph The Surf (Director: Marvin J. Chomsky)
  64. Operation: Daybreak (Director: Lewis Gilbert)
  65. Paper Tiger (Director: Ken Annakin)
  66. Peeper (Director: Peter Hyams)
  67. Picnic At Hanging Rock (Director: Peter Weir)
  68. Posse (Director: Kirk Douglas)
  69. Psychic Killer (Director: Ray Danton)
  70. Race With The Devil (Director: Jack Starrett)
  71. Rancho Deluxe (Director: Milton Katselas)
  72. Return To Macon County (Director: Richard Compton)
  73. Rooster Cogburn (Director: Stuart Miller)
  74. Rosebud (Director: Otto Preminger)
  75. Royal Flash (Director: Richard Lester)
  76. Russian Roulette (Director: Lou Lombardo)
  77. Sasqua (Director: Channon Scot)
  78. Sharks’ Treasure (Director: Cornel Wilde)
  79. Sheila Levine Is Dead + Living In New York (Director: Sidney J. Furie)
  80. Smile (Director: Michael Ritchie)
  81. Smoke In The Wind (Directors: Andy Brennan + Joseph Kane)
  82. So Sad About Gloria (Director: Harry Thomason)
  83. Sons Of Sassoun (Director: Sarky Mouradian)
  84. Special Section (Director: Costa-Gavras)
  85. Supercock (Director: Gus Trikonis)
  86. Take A Hard Ride (Director: Antonio Margheriti)
  87. That Lucky Touch (Director: Christopher Miles)
  88. That’s The Way Of The World (Director: Sig Shore)
  89. The Adventure Of Sherlock Holmes’ Smarter Brother (Director: Gene Wilder)
  90. The Black Bird (Director: David Giler)
  91. The Brass Ring (Director: Martin Beck)
  92. The Devil’s Rain (Director: Robert Fuest)
  93. The Drowning Pool (Director: Stuart Rosenberg)
  94. The Executioner (Director: Cyril Frankel)
  95. The Fortune (Director: Mike Nichols)
  96. The Giant Spider Invasion (Director: Bill Rebane)
  97. The Great McGonagall (Director: Joseph McGrath)
  98. The Great Waldo Pepper (Director: George Roy Hill)
  99. The Hiding Place (James F. Collier)
  100. The Hindenburg (Director: Robert Wise)
  101. The Killer Elite (Director: Sam Peckinpah)
  102. The Maids (Director: Christopher Miles)
  103. The Man Who Would Be King (Director: John Huston)
  104. The Man Who Would Not Die (Director: Robert Arkless)
  105. The Manchu Eagle Murder Caper Mystery (Director: Dean Hargrove)
  106. The Master Gunfighter (Director: Tom Laughlin)
  107. The Other Side Of The Mountain (Director: Larry Peerce)
  108. The Passenger (Director: Michelangelo Antonioni)
  109. The Prisoner Of Second Avenue (Melvin Frank)
  110. The Stepford Wives (Director: Bryan Forbes)
  111. The Story Of Adele H (Director: François Truffaut)
  112. The Sunshine Boys (Director: Herbert Ross)
  113. The Terrorists (Director: Caspar Wrede)
  114. The Wilby Conspiracy (Director: Ralph Nelson)
  115. The Wild McCullochs (Director: Max Baer, Jr.)
  116. The Wind + The Lion (Director: John Milius)
  117. Timber Tramps (Director: Tay Garnett)
  118. Tommy (Director: Ken Russell)
  119. W.W. + The Dixie Dancekings (Director: John G. Avildsen)
  120. Walking Tall, Part II (Director: Earl Bellamy)
  121. Whiffs (Director: Ted Post)
  122. White Line Fever (Director: Jonathan Kaplan)
R
  1. 92 In The Shade (Director: Thomas McGuane)
  2. A Boy + His Dog (Director: L.Q. Jones)
  3. A Man With A Maid (Director: Vernon P. Becker)
  4. A Woman For All Men (Director: Arthur Marks)
  5. Aaron Loves Angela (Director: Gordon Parks, Jr.)
  6. Abduction (Director: Joseph Zito)
  7. Abigail Leslie Is Back In Town (Director: Joseph W. Sarno)
  8. Alfie Darling (Director: Ken Hughes)
  9. Alias Big Cherry (Director: Matt Cimber)
  10. Apache Blood (Director: Vern Piehl)
  11. At Last, At Last (Director: Marino Girolami)
  12. Au-delà de la peur (Director: Yannick Andréi)
  13. Autopsy (Director: Armando Crispino)
  14. Best Friend (Director: Noel Nosseck)
  15. Black Force (Director: Michael Fink)
  16. Black Lolita (Director: Stephen Gibson)
  17. Black Magic (Director: Ho Meng-Hua)
  18. Black Moon (Director: Louis Malle)
  19. Blazing Stewardesses (Director: Al Adamson)
  20. Blonde In Black Leather (Director: Carlo Di Palma)
  21. Blood, Sweat + Fear (Director: Stelvio Massi)
  22. Bucktown (Director: Arthur Marks)
  23. Can I Keep It Up For A Week? (Director: Jim Atkinson)
  24. Capone (Director: Steve Carver)
  25. Catherine + Co. (Director: Michel Boisrond)
  26. Cleopatra Jones + The Casino Of Gold (Director: Charles Bail)
  27. Cookies (Director: Joël Séria)
  28. Coonskin (Director: Ralph Bakshi)
  29. Cousin cousine (Director: Jean-Charles Tacchella)
  30. Cover Girl Models (Director: Cirio H. Santiago)
  31. Criminally Insane (Director: Nick Millard)
  32. Dread Aim (Director: José Bolaños)
  33. Deadly Hero (Director: Ivan Nagy)
  34. Deadly Strangers (Director: Sidney Hayers)
  35. Death Race 2000 (Director: Paul Bartel)
  36. Deep Red (Profondo Rosso) (Director: Dario Argento)
  37. Delinquent School Girls (Director: Greg Corarito)
  38. Dirty Hands (Director: Claude Chabrol)
  39. Dog Day Afternoon (Director: Sidney Lumet)
  40. Dolemite (Director: D’Urville Martin)
  41. Down The Ancient Stairs (Director: Mauro Bolognini)
  42. Dr. Minx (Director: Howard Avedis)
  43. Dragon Flies (The Man From Hong Kong) (Director: Brian Trenchard-Smith)
  44. Drifter (Director: Pat Rocco)
  45. Farewell, My Lovely (Director: Dick Richards)
  46. Flat Out (Director: Pierre Unia)
  47. Forced Entry (Director: Jim Sotos)
  48. Foreplay (Directors: John G. Avildsen, Bruce Malmuth, Robert McCarty + Ralph Rosenblum)
  49. Framed (Director: Phil Karlson)
  50. French Connection II (Director: John Frankenheimer)
  51. Friday Foster (Director: Arthur Marks)
  52. Gemini Affair (Director: Matt Cimber)
  53. Gone With The West (Director: Bernard Girard)
  54. Goodbye Bruce Lee: His Last Game Of Death (Directors: Bin Lin + Harold B. Swartz)
  55. Hss Anybody Seen My Pants? (Director Hubert Frank)
  56. Hua ei man cheng chun (director: Mu Chu)
  57. If You Don’t Stop It...You’ll Go Blind!!! (Directors: Keefe Brasselle + I. Robert Levy)
  58. Jessi’s Girls (Director: Al Adamson)
  59. Johnny Firecloud (Director: William Allen Castleman)
  60. Journey Into Fear (Director: Daniel Mann)
  61. Katie Tippel (Director: Paul Verhoeven)
  62. Kidnap Syndicate (Director: Fernando Di Leo)
  63. Kitty Can’t Help It (Director: Peter Locke)
  64. Kung Fu-ry (Director: K.S. Cheung)
  65. L’agression (Director: Gérard Pirès)
  66. L'uomo che sfidò l'organizzazione (Director: Sergio Grieco)
  67. Gambling City (Director: Sergio Martino)
  68. Lady Cocoa (Director: Matt Cimber)
  69. Last Stop On The Night Train (Night Train Murders) (Director: Aldo Lado)
  70. Le téléphone rose (Director: Édouard Molinaro)
  71. Legacy (Director: Karen Arthur)
  72. Linda Lovelace For President (Directors: Claudio Guzmán + Arthur Marks)
  73. Lisztomania (Director: Ken Russell)
  74. Lord Shango (Director: Ray Marsh)
  75. Los tres compadres (Director: Arturo Martinez)
  76. Love + Energy (Director: Pasquale Festa Campanile)
  77. Mandingo (Director: Richard Fleischer)
  78. Mary, Mary Bloody Mary (Director: Juan López Moctezuma)
  79. Mitchell (Director: Andrew V. McLaglen)
  80. Mujang haeje (Director: Doo-yong Lee)
  81. My Pleasure Is My Business (Director: Xaviera Hollander)
  82. Nashville (Director: Robert Altman)
  83. Night Moves (Director: Arthur Penn)
  84. Night Of The Howling Beast (Director: Miguel Iglesias)
  85. Night Of The Seagulls (Director: Amando de Ossorio)
  86. Nymph (Director: William Dear)
  87. Once Is Not Enough (Director: Guy Green)
  88. One Flew Over The Cuckoo’s Nest (Director: Milos Forman)
  89. Order To Assassinate (Director: José Gutiérrez Maesso)
  90. Out Of Season (Director: Alan Bridges)
  91. The Night Caller (Director: Henri Verneuil)
  92. Pick-Up (Director: Bernard Hirschenson)
  93. Pleasure Party (Director: Claude Chabrol)
  94. Poor Pretty Eddie (Directors: David Worth + Richard Robinson)
  95. Posse From Heaven (Director: Phillip Pine)
  96. Prisoners (Director: William H. Bushnell)
  97. Rafferty + The Gold Dust Twins (Director: Dick Richards)
  98. Rancho Deluxe (Director: Frank Perry)
  99. Rollerball (Director: Norman Jewison)
  100. Satan’s Black Wedding (Director: Nick Millard)
  101. Saturday Night At The Baths (Director: David Buckley)
  102. Seven Beauties (Director: Lina Wertmüller)
  103. Shame Of The Jungle (Directors: Picha + Boris Szulzinger)
  104. Shampoo (Director: Hal Ashby)
  105. Sharon’s Baby (Director: Peter Sasdy)
  106. Shivers (Director: David Cronenberg)
  107. Shôrinji kenpô (Director: Noribumi Suzuki)
  108. Six Pack Annie (Director: Fred G. Thorne)
  109. Smiling Maniacs (Director: Marcello Aliprandi)
  110. Street Girls (Director: Michael Miller)
  111. Sunburst (Director: James Polakof)
  112. Super Spook (Director: Anthony B. Major)
  113. Switchblade Sisters (Director: Jack Hill)
  114. Syndicate Sadists (Director: Umberto Lenzi)
  115. Teenage Seductress (Director: Chris Warfield)
  116. That Most Important Thing: Love (Director: Andrzej Zulawski)
  117. The ‘Human’ Factor (Director: Edward Dmytryk)
  118. The Astrologer (Director: James Glickenhaus)
  119. The Black Dragon Revenges The Death Of Bruce Lee (Director: Chin-Ku Lu)
  120. The Black Gestapo (Director: Lee Frost)
  121. The Blazer Girls (Director: Jean-Paul Scardino)
  122. The Candy Tangerine Man (Director: Matt Cimber)
  123. The Day That Shook The World (Director: Veljko Bulajic)
  124. The Day Of The Locust (Director: John Schlesinger)
  125. The Divine Nymph (Director: Giuseppe Patroni Griffi)
  126. The Dragon Dies Hard (Director Kuan-Chang Li)
  127. The Eiger Sanction (Director: Clint Eastwood)
  128. The Four Assassins (Director: Cheh Chang)
  129. The Four Deuces (Director: William H. Bushnell)
  130. The Ghoul (Director: Freddie Francis)
  131. The Girl From Starship Venus (Director: Derek Ford)
  132. The Happy Hooker (Director: Nicholas Sgarro)
  133. The Immortal Three (Director: Doris Wishman)
  134. The Infidel (Director: Charles Bodine)
  135. The Lost Honor Of Katharina Blum (Directors: Volker Schlöndorff + Margarethe von Trotta)
  136. The Love Butcher (Directors: Don Jones + Mikel Angel)
  137. The Meal (Deadly Encounter) (Director: R. John Hugh)
  138. The Night Child (Director: Massimo Dallamano)
  139. The Night They Robbed Big Bertha’s (Director Peter Kares)
  140. The Noah (Director: Daniel Bourla)
  141. The Old Gun (Director: Robert Enrico)
  142. The Reincarnation Of Peter Proud (Director: J. Lee Thompson)
  143. The Rocky Horror Picture Show (Director: Jim Sharman)
  144. The Romantic Englishwoman (Director: Joseph Losey)
  145. The Sensuous Nurse (Director: Nello Rossati)
  146. The Specialist (Director: Howard Aveis)
  147. The Story Of Sin (Director: Walerian Borowczyk)
  148. The Sunday Woman (Director: Luigi Comencini)
  149. The Swinging Barmaids (Director: Gus Trikonis)
  150. The Teasers (Director: Michele Massimo Tarantini)
  151. The Ultimate Warrior (Director: Robert Clouse)
  152. The Wild Party (Director: James Ivory)
  153. Three Days Of The Condor (Director: Sydney Pollack)
  154. Trip With The Teacher (Director: Earl Barton)
  155. Trucker’s Woman (Director: Will Zens)
  156. Varsity Playthings (Director: Walter Boos)
  157. Violated (Director: Albert Zugsmith)
  158. Virgin Cowboy (director: George Watters)
  159. Wang Yu, The Destroyer (Director: undisclosed)
  160. Welcome Back, Brother Charles (Director: Jamaa Fanaka)
  161. Wheeler (Directors: Jack Collins + Jim Feazell)
  162. White House Madness (Director: Marl L. Lester)
  163. Zig-Zag (Director: László Szabó)
X (most later re-rated R or re-released sans rating altogether)
  1. Black Emanuelle (Director: Bitto Albertini)
  2. Emmanuelle II (Director: Francis Giacobetti)
  3. Felicia (Director: Max Pécas)
  4. Frankenstein all’italiana (Director: Armando Crispino)
  5. Inserts (Director: John Byrum)
  6. Laura’s Toys (Director: Joseph W. Sarno)
  7. Maîtresse (Director: Barbet Schroeder)
  8. Snuff (Directors: Michael Findlay, Horacio Fredriksson + Simon Nuchtern)
  9. The Beast (Director: Walerian Borowczyk)
  10. The Boob Tube (Director: Christopher Odin)
  11. The Story Of O (Director: Just Jaeckin)
submitted by tombstoneshadows28 to movies [link] [comments]

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